Giselle
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Giselle
Summary
Giselle is a dramatico-musical work[1]. Giselle ranks in the top 3% of dramatico_musical_work entities by monthly Wikipedia readership (1,077 views/month).[2]
Key Facts
- Giselle's instance of is recorded as dramatico-musical work[3].
- Giselle's composer is recorded as Adolphe Adam[4].
- Giselle's librettist is recorded as Théophile Gautier[5].
- Giselle's librettist is recorded as Jules-Henri Vernoy de Saint-Georges[6].
- Giselle's librettist is recorded as Jean Coralli[7].
- Giselle is associated with the Romanticism movement[8].
- Giselle's genre is ballet[9].
- Giselle's based on is recorded as Q21045013[10].
- Giselle's based on is recorded as Q21044920[11].
- Giselle's Commons category is recorded as Giselle[12].
- Giselle's language of work or name is recorded as French[13].
- Giselle took place on March 8, 1926[14].
- Giselle took place on March 10, 1926[15].
- Giselle's has edition or translation is recorded as Q21045099[16].
- Giselle's contributor to the creative work or subject is recorded as Andrée Marlière[17].
- Giselle's main subject is víla[18].
- The Dance of the Dead inspired Giselle[19].
- Giselle's date of first performance is recorded as June 28, 1841[20].
- Giselle's title is recorded as {'lang': 'fr', 'text': 'Giselle'}[21].
- Giselle's native label is recorded as {'lang': 'fr', 'text': 'Giselle, ou les Wilis'}[22].
- Giselle's choreographer is recorded as Jean Coralli[23].
- Giselle's choreographer is recorded as Jules Perrot[24].
- Giselle's duration is recorded as {'unit': 'Q7727', 'amount': '+105'}[25].
- Giselle's number of parts of this work is recorded as {'unit': 'Q421744', 'amount': '+2'}[26].
- Giselle's location of first performance is recorded as Paris Opera[27].
Why It Matters
Giselle ranks in the top 3% of dramatico_musical_work entities by monthly Wikipedia readership (1,077 views/month).[2] Giselle has Wikipedia articles in 25 language editions, a strong signal of global cultural recognition.[28] Giselle is known by 16 alternative names across languages and contexts.[29]