Fushizen na Girl/Natural ni Koishite
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Fushizen na Girl/Natural ni Koishite
Summary
Fushizen na Girl/Natural ni Koishite is a single[1]. It ranks in the top 3% of single entities by monthly Wikipedia readership (30 views/month).[2]
Key Facts
- Fushizen na Girl/Natural ni Koishite's instance of is recorded as single[3].
- Fushizen na Girl/Natural ni Koishite's genre is disco[4].
- Fushizen na Girl/Natural ni Koishite followed One Room Disco[5].
- Fushizen na Girl/Natural ni Koishite was followed by Voice[6].
- Fushizen na Girl/Natural ni Koishite was produced by Yasutaka Nakata[7].
- Among the performers on Fushizen na Girl/Natural ni Koishite was Perfume[8].
- Fushizen na Girl/Natural ni Koishite's record label is recorded as Tokuma Japan Communications Co., Ltd.[9].
- Fushizen na Girl/Natural ni Koishite is part of JPN[10].
- Fushizen na Girl/Natural ni Koishite was published on April 14, 2010[11].
Product Details
The following facts are restated verbatim from public-domain and CC0 open-data sources — every line is independently verifiable against the named source's catalog.
MusicBrainz — CC0 open music encyclopedia
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Release type: Single[12]
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First release date: 2010-04-14[13]
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Genre(s): disco, electronic, j-pop, pop, synth-pop[14]
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Community tags: disco, electronic, j-pop, pop, synth-pop[15]
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MusicBrainz ID: 2464e9ae-9f24-4c7f-b475-1dc7c90d2318[16]
Body
Authorship and Creation
Fushizen na Girl/Natural ni Koishite was performed by Perfume[8]. It was produced by Yasutaka Nakata[7].
Publication
Fushizen na Girl/Natural ni Koishite was published on April 14, 2010[11]. Its genre is disco[4]. It is part of JPN[10].
Adaptations and Inspiration
Fushizen na Girl/Natural ni Koishite followed One Room Disco[5]. It was followed by Voice[6].
Why It Matters
Fushizen na Girl/Natural ni Koishite ranks in the top 3% of single entities by monthly Wikipedia readership (30 views/month).[2] It has Wikipedia articles in 7 language editions, a strong signal of global cultural recognition.[17] It is known by 7 alternative names across languages and contexts.[18]