Enfants Terribles: Live at the Blue Note
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Enfants Terribles: Live at the Blue Note
Summary
Enfants Terribles: Live at the Blue Note is an album[1].
Key Facts
- Enfants Terribles: Live at the Blue Note's instance of is recorded as Live at the Blue Note — instance of (P31): album[2].
- Enfants Terribles: Live at the Blue Note's genre is Live at the Blue Note — genre (P136): modern jazz[3].
- Enfants Terribles: Live at the Blue Note's genre is Live at the Blue Note — genre (P136): post-bop[4].
- Enfants Terribles: Live at the Blue Note was performed by Live at the Blue Note — performer (P175): Lee Konitz[5].
- Enfants Terribles: Live at the Blue Note was performed by Live at the Blue Note — performer (P175): Bill Frisell[6].
- Among the performers on Enfants Terribles: Live at the Blue Note was Live at the Blue Note — performer (P175): Gary Peacock[7].
- Among the performers on Enfants Terribles: Live at the Blue Note was Live at the Blue Note — performer (P175): Joey Baron[8].
- Enfants Terribles: Live at the Blue Note's record label is recorded as Live at the Blue Note — record label (P264): Half Note Records[9].
- Enfants Terribles: Live at the Blue Note's place of publication is recorded as Live at the Blue Note — place of publication (P291): United States[10].
- Enfants Terribles: Live at the Blue Note is part of Live at the Blue Note — part of (P361): Lee Konitz' albums in chronological order[11].
- Enfants Terribles: Live at the Blue Note is part of Live at the Blue Note — part of (P361): Bill Frisell's albums in chronological order[12].
- Enfants Terribles: Live at the Blue Note is part of Live at the Blue Note — part of (P361): Gary Peacock's albums in chronological order[13].
- Enfants Terribles: Live at the Blue Note is part of Live at the Blue Note — part of (P361): Joey Baron's albums in chronological order[14].
- Enfants Terribles: Live at the Blue Note's language of work or name is recorded as Live at the Blue Note — language of work or name (P407): no linguistic content[15].
- Enfants Terribles: Live at the Blue Note was distributed by Live at the Blue Note — distribution format (P437): compact disc[16].
- Enfants Terribles: Live at the Blue Note's recorded at studio or venue is recorded as Live at the Blue Note — recorded at studio or venue (P483): Blue Note Jazz Club[17].
- Enfants Terribles: Live at the Blue Note was released on 2012[18].
- Enfants Terribles: Live at the Blue Note's title is recorded as Enfants Terribles[19].
- Enfants Terribles: Live at the Blue Note's has characteristic is recorded as Live at the Blue Note — has characteristic (P1552): instrumental album[20].
- Enfants Terribles: Live at the Blue Note's number of parts of this work is recorded as {'unit': 'http://www.wikidata.org/entity/Q7302866', 'amount': '+6'}[21].
- Enfants Terribles: Live at the Blue Note's form of creative work is recorded as Live at the Blue Note — form of creative work (P7937): live album[22].
Product Details
The following facts are restated verbatim from public-domain and CC0 open-data sources — every line is independently verifiable against the named source's catalog.
MusicBrainz — CC0 open music encyclopedia
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Release type: Album[23]
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Secondary type(s): Live[24]
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First release date: 2012-09-25[25]
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Genre(s): jazz, post-bop[26]
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Community tags: jazz, post-bop[27]
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MusicBrainz ID: 65c36757-17d4-4fb0-b17a-d309c9025ee7[28]
Body
Authorship and Creation
Performers include Live at the Blue Note — performer (P175): Lee Konitz[5], Live at the Blue Note — performer (P175): Bill Frisell[6], Live at the Blue Note — performer (P175): Gary Peacock[7], and Live at the Blue Note — performer (P175): Joey Baron[8].
Publication
Enfants Terribles: Live at the Blue Note was released on 2012[18]. Its place of publication is recorded as Live at the Blue Note — place of publication (P291): United States[10]. Its language of work or name is recorded as Live at the Blue Note — language of work or name (P407): no linguistic content[15]. Genres include Live at the Blue Note — genre (P136): modern jazz[3] and Live at the Blue Note — genre (P136): post-bop[4]. Part of include Live at the Blue Note — part of (P361): Lee Konitz' albums in chronological order[11], Live at the Blue Note — part of (P361): Bill Frisell's albums in chronological order[12], Live at the Blue Note — part of (P361): Gary Peacock's albums in chronological order[13], and Live at the Blue Note — part of (P361): Joey Baron's albums in chronological order[14]. It was distributed by Live at the Blue Note — distribution format (P437): compact disc[16].