Elector Moritz and the Renaissance
German series of creative works issue 52, part of Dresdner Hefte, 1997
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Elector Moritz and the Renaissance
Summary
Elector Moritz and the Renaissance is a periodical[1].
Key Facts
- Elector Moritz and the Renaissance is in the country of Germany[2].
- Elector Moritz and the Renaissance's image is recorded as Lucas Cranach d. J. - Kurfürst Moritz von Sachsen und seine Gemahlin Agnes (1559).jpg[3].
- Elector Moritz and the Renaissance's instance of is recorded as periodical[4].
- Elector Moritz and the Renaissance's publisher is recorded as Dresden Historical Society[5].
- Elector Moritz and the Renaissance's follows is recorded as Garden City Hellerau – Everyday life in an utopia[6].
- Elector Moritz and the Renaissance's followed by is recorded as Dresden as a garrison town[7].
- Elector Moritz and the Renaissance's part of the series is recorded as Dresdner Hefte[8].
- Elector Moritz and the Renaissance's language of work or name is recorded as German[9].
- Elector Moritz and the Renaissance's issue is recorded as 52[10].
- Elector Moritz and the Renaissance's volume is recorded as 15[11].
- Elector Moritz and the Renaissance's publication date is recorded as +1997-11-06T00:00:00Z[12].
- Elector Moritz and the Renaissance's main subject is recorded as Maurice of Saxony[13].
- Elector Moritz and the Renaissance's work available at URL is recorded as http://digital.slub-dresden.de/id1665404671[14].
- Elector Moritz and the Renaissance's catalog is recorded as Regional bibliography of Saxony[15].
- Elector Moritz and the Renaissance's published in is recorded as Dresdner Hefte[16].
- Elector Moritz and the Renaissance's title is recorded as Kurfürst Moritz und die Renaissance[17].
- Elector Moritz and the Renaissance's short name is recorded as Dresdner Heft 52[18].
- Elector Moritz and the Renaissance's form of creative work is recorded as essay collection[19].
Body
Geography
Elector Moritz and the Renaissance is in the country of Germany[2].
Designation and Status
Elector Moritz and the Renaissance's instance of is recorded as periodical[4].