Do Re Mi Sol La Si Do
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Do Re Mi Sol La Si Do
Summary
Do Re Mi Sol La Si Do is a single[1]. It ranks in the top 3% of single entities by monthly Wikipedia readership (483 views/month).[2]
Key Facts
- Do Re Mi Sol La Si Do's instance of is recorded as single[3].
- Do Re Mi Sol La Si Do's genre is J-pop[4].
- Do Re Mi Sol La Si Do followed Kyun[5].
- Do Re Mi Sol La Si Do was followed by Konna ni Suki ni Natchatte Ii no?[6].
- Among the performers on Do Re Mi Sol La Si Do was Hinatazaka46[7].
- Do Re Mi Sol La Si Do's record label is recorded as Sony Music Records[8].
- Do Re Mi Sol La Si Do's Commons category is recorded as Do Re Mi Sol La Si Do[9].
- Do Re Mi Sol La Si Do's language of work or name is recorded as Japanese[10].
- Do Re Mi Sol La Si Do was distributed by compact disc[11].
- Do Re Mi Sol La Si Do was distributed by CD+Blu-Ray[12].
- Do Re Mi Sol La Si Do was distributed by music streaming[13].
- Do Re Mi Sol La Si Do was distributed by music download[14].
- Do Re Mi Sol La Si Do was published on July 17, 2019[15].
- Do Re Mi Sol La Si Do's title is recorded as ドレミソラシド[16].
- Do Re Mi Sol La Si Do's number of parts of this work is recorded as {'amount': '+6'}[17].
- Do Re Mi Sol La Si Do's single taken from the album or EP is recorded as Hinatazaka[18].
Body
Authorship and Creation
Do Re Mi Sol La Si Do was performed by Hinatazaka46[7].
Publication
Do Re Mi Sol La Si Do was released on July 17, 2019[15]. Its language of work or name is recorded as Japanese[10]. Its genre is J-pop[4]. Recorded distribution format include compact disc[11], CD+Blu-Ray[12], music streaming[13], and music download[14].
Adaptations and Inspiration
Do Re Mi Sol La Si Do followed Kyun[5]. It was followed by Konna ni Suki ni Natchatte Ii no?[6].
Why It Matters
Do Re Mi Sol La Si Do ranks in the top 3% of single entities by monthly Wikipedia readership (483 views/month).[2] It has Wikipedia articles in 5 language editions, a strong signal of global cultural recognition.[19] It is known by 3 alternative names across languages and contexts.[20]