Diana the Huntress
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Diana the Huntress
Summary
Diana the Huntress is a painting[1]. It ranks in the top 6% of painting entities by monthly Wikipedia readership (584 views/month).[2]
Key Facts
- Diana the Huntress's instance of is recorded as painting[3].
- Diana the Huntress is owned by French State[4].
- Diana the Huntress's genre is mythological painting[5].
- Diana the Huntress's genre is nude[6].
- Diana the Huntress's depicts is recorded as Diana[7].
- Diana the Huntress's depicts is recorded as quiver[8].
- Diana the Huntress's depicts is recorded as bow[9].
- Diana the Huntress's depicts is recorded as dog[10].
- Diana the Huntress's depicts is recorded as broad-leaved tree[11].
- Diana the Huntress is made of oil paint[12].
- Diana the Huntress is made of canvas[13].
- Diana the Huntress's collection is recorded as Department of Paintings of the Louvre[14].
- Diana the Huntress's inventory number is recorded as INV 445[15].
- The location of Diana the Huntress was Louvre storage (depot)[16].
- Diana the Huntress's Commons category is recorded as Diana the Huntress - Louvre Inv. 445[17].
- January 1, 1550 marks the founding of Diana the Huntress[18].
- Diana the Huntress's main subject is Diana[19].
- Diana the Huntress's title is recorded as Diane chasseresse[20].
- Diana the Huntress's different from is recorded as Diana the Huntress[21].
- Diana the Huntress's height is recorded as {'amount': '+191'}[22].
- Diana the Huntress's width is recorded as {'amount': '+132'}[23].
- Diana the Huntress's copyright status is recorded as public domain[24].
Body
Publication
Genres include mythological painting[5] and nude[6].
Subject and Themes
Diana the Huntress's main subject is Diana[19].
Material and Period
Recorded made from material include oil paint[12] and canvas[13]. Diana the Huntress took place at Louvre storage (depot)[16].
Why It Matters
Diana the Huntress ranks in the top 6% of painting entities by monthly Wikipedia readership (584 views/month).[2] It is known by 9 alternative names across languages and contexts.[25]