Destroy Rebuild Until God Shows
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Destroy Rebuild Until God Shows
Summary
Destroy Rebuild Until God Shows is a musical group[1]. It ranks in the top 6% of musical_group entities by monthly Wikipedia readership (484 views/month).[2]
Key Facts
- Destroy Rebuild Until God Shows's instance of is recorded as musical group[3].
- Destroy Rebuild Until God Shows's genre is alternative rock[4].
- Destroy Rebuild Until God Shows's record label is recorded as Sire[5].
- Destroy Rebuild Until God Shows's record label is recorded as DCD2 Records[6].
- Destroy Rebuild Until God Shows's country of origin is recorded as United States[7].
- Destroy Rebuild Until God Shows comprises Craig Owens[8].
- 2010 marks the founding of Destroy Rebuild Until God Shows[9].
- Destroy Rebuild Until God Shows's location of formation is recorded as Pontiac[10].
- Destroy Rebuild Until God Shows's official website is recorded as http://www.thisisdrugs.com[11].
- Destroy Rebuild Until God Shows's topic has template is recorded as Template:Destroy Rebuild Until God Shows[12].
- Destroy Rebuild Until God Shows's start of work period is recorded as 2010[13].
- Destroy Rebuild Until God Shows's number of viewers/listeners is recorded as {'amount': '+4526694'}[14].
Product Details
The following facts are restated verbatim from public-domain and CC0 open-data sources — every line is independently verifiable against the named source's catalog.
MusicBrainz — CC0 open music encyclopedia
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Type: Group[15]
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Country: US[16]
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Began / founded: 2009[17]
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Community tags: alternative hardcore[18]
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MusicBrainz ID: 4a40140f-0e68-4ab0-9d6e-6e097957d85e[19]
Body
Founding
2010 marks the founding of Destroy Rebuild Until God Shows[9]. Its location of formation is recorded as Pontiac[10].
Why It Matters
Destroy Rebuild Until God Shows ranks in the top 6% of musical_group entities by monthly Wikipedia readership (484 views/month).[2] It has Wikipedia articles in 14 language editions, a strong signal of global cultural recognition.[20] It is known by 7 alternative names across languages and contexts.[21]