Deadlocked
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Summary
Deadlocked is a literary work[1]. Deadlocked ranks in the top 4% of literary_work entities by monthly Wikipedia readership (267 views/month).[2]
Key Facts
- Deadlocked authored Charlaine Harris[3].
- Deadlocked's instance of is recorded as literary work[4].
- Deadlocked was published by Ace Books[5].
- Deadlocked's genre is horror fiction[6].
- Deadlocked's genre is romantic fiction[7].
- Deadlocked's genre is vampire fiction[8].
- Deadlocked's genre is fantasy[9].
- Deadlocked's genre is mystery fiction[10].
- Deadlocked followed Dead Reckoning[11].
- Deadlocked was followed by Dead Ever After[12].
- Deadlocked's part of the series is recorded as The Southern Vampire Mysteries[13].
- Deadlocked's language of work or name is recorded as English[14].
- Deadlocked's country of origin is recorded as United States[15].
- Deadlocked was published on May 1, 2012[16].
- Deadlocked's characters is recorded as Sookie Stackhouse[17].
- Deadlocked's has edition or translation is recorded as Deadlocked[18].
- Deadlocked's has edition or translation is recorded as Q141425256[19].
- Deadlocked's title is recorded as Deadlocked[20].
- Deadlocked's form of creative work is recorded as novel[21].
Body
Authorship and Creation
Deadlocked authored Charlaine Harris[3]. Deadlocked was published by Ace Books[5].
Publication
Deadlocked was released on May 1, 2012[16]. Deadlocked's language of work or name is recorded as English[14]. Genres include horror fiction[6], romantic fiction[7], vampire fiction[8], fantasy[9], and mystery fiction[10]. Deadlocked's part of the series is recorded as The Southern Vampire Mysteries[13].
Subject and Themes
Deadlocked's part of the series is recorded as The Southern Vampire Mysteries[13].
Adaptations and Inspiration
Deadlocked followed Dead Reckoning[11]. Deadlocked was followed by Dead Ever After[12].
Why It Matters
Deadlocked ranks in the top 4% of literary_work entities by monthly Wikipedia readership (267 views/month).[2] Deadlocked is known by 3 alternative names across languages and contexts.[22]