Dal Shabet
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Dal Shabet
Summary
Dal Shabet is a girl group[1]. It draws 276 Wikipedia views per month (girl_group category, ranking #111 of 303).[2]
Key Facts
- Dal Shabet's instance of is recorded as girl group[3].
- Dal Shabet's genre is K-pop[4].
- Dal Shabet's genre is dance-pop[5].
- Dal Shabet's genre is synth-pop[6].
- Dal Shabet's record label is recorded as Happy Face Entertainment[7].
- Dal Shabet's discography is recorded as Dal Shabet discography[8].
- Dal Shabet's Commons category is recorded as Dal Shabet[9].
- Dal Shabet's country of origin is recorded as South Korea[10].
- Dal Shabet comprises Serri[11].
- Dal Shabet comprises Woohee[12].
- Dal Shabet comprises Ah Young[13].
- Dal Shabet comprises Subin[14].
- 2011 marks the founding of Dal Shabet[15].
- Dal Shabet's location of formation is recorded as Seoul[16].
- Dal Shabet's official website is recorded as http://www.dalshabet.com/[17].
- Dal Shabet's topic's main category is recorded as Category:Dal Shabet[18].
- Dal Shabet's McCune–Reischauer romanization is recorded as Tal Syabet[19].
- Dal Shabet's Revised Romanization is recorded as Dal Syabet[20].
- Dal Shabet's start of work period is recorded as 2011[21].
- Dal Shabet's social media followers is recorded as {'amount': '+31479'}[22].
- Dal Shabet's social media followers is recorded as {'amount': '+32993'}[23].
- Dal Shabet's social media followers is recorded as {'amount': '+58700'}[24].
- Dal Shabet's social media followers is recorded as {'amount': '+30277'}[25].
- Dal Shabet's social media followers is recorded as {'amount': '+29577'}[26].
- Dal Shabet's social media followers is recorded as {'amount': '+62900'}[27].
Body
Founding
2011 marks the founding of Dal Shabet[15]. Its location of formation is recorded as Seoul[16].
Why It Matters
Dal Shabet draws 276 Wikipedia views per month (girl_group category, ranking #111 of 303).[2] It has Wikipedia articles in 22 language editions, a strong signal of global cultural recognition.[28] It is known by 11 alternative names across languages and contexts.[29]