Coat of Many Colors
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Coat of Many Colors
Summary
Coat of Many Colors is a musical work/composition[1]. It ranks in the top 4% of musical_work_composition entities by monthly Wikipedia readership (422 views/month).[2]
Key Facts
- Coat of Many Colors's instance of is recorded as musical work/composition[3].
- Coat of Many Colors's composer is recorded as Dolly Parton[4].
- Coat of Many Colors's genre is country music[5].
- Among the performers on Coat of Many Colors was Dolly Parton[6].
- Among the performers on Coat of Many Colors was Dolly Parton[7].
- Among the performers on Coat of Many Colors was Dolly Parton[8].
- Coat of Many Colors was performed by Mona Gustafsson[9].
- Coat of Many Colors's language of work or name is recorded as English[10].
- Coat of Many Colors's lyricist is recorded as Dolly Parton[11].
- Coat of Many Colors's main subject is poverty[12].
- Coat of Many Colors's main subject is clothing[13].
- Coat of Many Colors's main subject is mobbing[14].
- Coat of Many Colors's title is recorded as {'lang': 'en', 'text': 'Coat of Many Colors'}[15].
- Coat of Many Colors's different from is recorded as Coat of many colors[16].
- Coat of Many Colors's form of creative work is recorded as song[17].
Product Details
The following facts are restated verbatim from public-domain and CC0 open-data sources — every line is independently verifiable against the named source's catalog.
MusicBrainz — CC0 open music encyclopedia
Body
Authorship and Creation
Performers include Dolly Parton[6] and Mona Gustafsson[9].
Publication
Coat of Many Colors's language of work or name is recorded as English[10]. Its genre is country music[5].
Subject and Themes
Main subjects include poverty[12], clothing[13], and mobbing[14].
Why It Matters
Coat of Many Colors ranks in the top 4% of musical_work_composition entities by monthly Wikipedia readership (422 views/month).[2] It has Wikipedia articles in 5 language editions, a strong signal of global cultural recognition.[20] It is known by 8 alternative names across languages and contexts.[21]