Choushinsei Flashman
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Choushinsei Flashman
Summary
Choushinsei Flashman is a television series[1]. It ranks in the top 9% of television_series entities by monthly Wikipedia readership (296 views/month).[2]
Key Facts
- Choushinsei Flashman is the creator of Toei Company[3].
- Choushinsei Flashman's instance of is recorded as television series[4].
- Choushinsei Flashman's composer is recorded as Kōhei Tanaka[5].
- Choushinsei Flashman's genre is tokusatsu[6].
- Choushinsei Flashman followed Dengeki Sentai Changeman[7].
- Choushinsei Flashman was followed by Hikari Sentai Maskman[8].
- Choushinsei Flashman's production company is recorded as Toei Company[9].
- Choushinsei Flashman is a type of Super Sentai Series[10].
- The original language of Choushinsei Flashman was Japanese[11].
- Choushinsei Flashman's language of work or name is recorded as Japanese[12].
- Choushinsei Flashman's original broadcaster is recorded as TV Asahi[13].
- Choushinsei Flashman's country of origin is recorded as Japan[14].
- Choushinsei Flashman began on March 1, 1986[15].
- Choushinsei Flashman ended on February 21, 1987[16].
- Choushinsei Flashman's number of episodes is recorded as {'amount': '+50'}[17].
- Choushinsei Flashman's topic has template is recorded as Template:Choushinsei Flashman[18].
- Choushinsei Flashman's number of seasons is recorded as {'amount': '+1'}[19].
Body
Authorship and Creation
Choushinsei Flashman is the creator of Toei Company[3].
Publication
The original language of Choushinsei Flashman was Japanese[11]. Its language of work or name is recorded as Japanese[12]. Its genre is tokusatsu[6].
Adaptations and Inspiration
Choushinsei Flashman followed Dengeki Sentai Changeman[7]. It was followed by Hikari Sentai Maskman[8].
Why It Matters
Choushinsei Flashman ranks in the top 9% of television_series entities by monthly Wikipedia readership (296 views/month).[2] It has Wikipedia articles in 13 language editions, a strong signal of global cultural recognition.[20] It is known by 23 alternative names across languages and contexts.[21]