Beauty Looking Back
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Beauty Looking Back
Summary
Beauty Looking Back is a painting[1]. It is known by 3 alternative names across languages and contexts.[2]
Key Facts
- Beauty Looking Back is the creator of Hishikawa Moronobu[3].
- Beauty Looking Back is in the country of Japan[4].
- Beauty Looking Back's instance of is recorded as painting[5].
- Beauty Looking Back's genre is bijin-ga[6].
- Beauty Looking Back's genre is nikuhitsu-ga[7].
- Beauty Looking Back's depicts is recorded as bijin[8].
- Beauty Looking Back's depicts is recorded as yūjo[9].
- Beauty Looking Back's depicts is recorded as comb[10].
- Beauty Looking Back's depicts is recorded as kimono[11].
- Beauty Looking Back's depicts is recorded as obi[12].
- Beauty Looking Back's collection is recorded as Tokyo National Museum[13].
- Beauty Looking Back's inventory number is recorded as A-60[14].
- The location of Beauty Looking Back was Tokyo National Museum[15].
- Beauty Looking Back's Commons category is recorded as Beauty Looking Back[16].
- Beauty Looking Back's country of origin is recorded as Japan[17].
- 1690 marks the founding of Beauty Looking Back[18].
- Beauty Looking Back's described at URL is recorded as https://www.tnm.jp/modules/r_collection/index.php?controller=dtl&colid=A60[19].
- Beauty Looking Back's described by source is recorded as 1001 Paintings You Must See Before You Die[20].
- Beauty Looking Back's title is recorded as Beauty Looking Back[21].
- Beauty Looking Back's name in kana is recorded as みかえりびじんず[22].
- Beauty Looking Back's height is recorded as {'amount': '+63'}[23].
- Beauty Looking Back's width is recorded as {'amount': '+31.2'}[24].
- Beauty Looking Back's copyright status is recorded as public domain[25].
Body
Authorship and Creation
Beauty Looking Back is the creator of Hishikawa Moronobu[3].
Publication
Genres include bijin-ga[6] and nikuhitsu-ga[7].
Material and Period
Beauty Looking Back took place at Tokyo National Museum[15].
Why It Matters
Beauty Looking Back is known by 3 alternative names across languages and contexts.[2]