Bajulans (Moteto nº 4)
0 sources
Summary
Bajulans (Moteto nº 4) is a musical work/composition[1].
Key Facts
- Bajulans (Moteto nº 4)'s instance of is recorded as musical work/composition[2].
- Bajulans (Moteto nº 4)'s composer is recorded as Luís Álvares Pinto[3].
- Bajulans (Moteto nº 4) is associated with the Brazilian colonial music movement[4].
- Bajulans (Moteto nº 4)'s genre is religious music[5].
- Bajulans (Moteto nº 4)'s collection is recorded as Sheet music of Luís Álvares Pinto[6].
- Bajulans (Moteto nº 4)'s Commons category is recorded as Sheet music of Luís Álvares Pinto[7].
- Bajulans (Moteto nº 4)'s instrumentation is recorded as recorder[8].
- Bajulans (Moteto nº 4)'s instrumentation is recorded as voice[9].
- Bajulans (Moteto nº 4)'s instrumentation is recorded as double bass[10].
- Bajulans (Moteto nº 4)'s instrumentation is recorded as choir[11].
- Bajulans (Moteto nº 4)'s described by source is recorded as Musica Brasilis[12].
- Bajulans (Moteto nº 4)'s title is recorded as Bajulans (Moteto nº 4)[13].
- Bajulans (Moteto nº 4)'s on focus list of Wikimedia project is recorded as Musica Brasilis GLAM[14].
- Bajulans (Moteto nº 4)'s form of creative work is recorded as concerto for recorder[15].
- Bajulans (Moteto nº 4)'s form of creative work is recorded as concerto for double bass[16].
Body
Publication
Bajulans (Moteto nº 4)'s genre is religious music[5].
Subject and Themes
Bajulans (Moteto nº 4) is associated with the Brazilian colonial music movement[4].