Attendite (Moteto nº 2)
0 sources
Attendite (Moteto nº 2)
Summary
Attendite (Moteto nº 2) is a musical work/composition[1].
Key Facts
- Attendite (Moteto nº 2)'s instance of is recorded as musical work/composition[2].
- Attendite (Moteto nº 2)'s composer is recorded as Luís Álvares Pinto[3].
- Attendite (Moteto nº 2) is associated with the Brazilian colonial music movement[4].
- Attendite (Moteto nº 2)'s genre is religious music[5].
- Attendite (Moteto nº 2)'s collection is recorded as Sheet music of Luís Álvares Pinto[6].
- Attendite (Moteto nº 2)'s Commons category is recorded as Sheet music of Luís Álvares Pinto[7].
- Attendite (Moteto nº 2)'s instrumentation is recorded as recorder[8].
- Attendite (Moteto nº 2)'s instrumentation is recorded as voice[9].
- Attendite (Moteto nº 2)'s instrumentation is recorded as double bass[10].
- Attendite (Moteto nº 2)'s instrumentation is recorded as choir[11].
- Attendite (Moteto nº 2)'s described by source is recorded as Musica Brasilis[12].
- Attendite (Moteto nº 2)'s title is recorded as Attendite (Moteto nº 2)[13].
- Attendite (Moteto nº 2)'s on focus list of Wikimedia project is recorded as Musica Brasilis GLAM[14].
- Attendite (Moteto nº 2)'s form of creative work is recorded as concerto for recorder[15].
- Attendite (Moteto nº 2)'s form of creative work is recorded as concerto for double bass[16].
Body
Publication
Attendite (Moteto nº 2)'s genre is religious music[5].
Subject and Themes
Attendite (Moteto nº 2) is associated with the Brazilian colonial music movement[4].