An Innocent Magdalene
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An Innocent Magdalene
Summary
An Innocent Magdalene is a film[1]. It ranks in the top 4% of film entities by monthly Wikipedia readership (29 views/month).[2]
Key Facts
- An Innocent Magdalene's instance of is recorded as film[3].
- An Innocent Magdalene was directed by Allan Dwan[4].
- An Innocent Magdalene's genre is drama film[5].
- An Innocent Magdalene's genre is silent film[6].
- A cast member of An Innocent Magdalene was Lillian Gish[7].
- A cast member of An Innocent Magdalene was Mary Alden[8].
- A cast member of An Innocent Magdalene was Sam De Grasse[9].
- A cast member of An Innocent Magdalene was Spottiswoode Aitken[10].
- A cast member of An Innocent Magdalene was William De Vaull[11].
- An Innocent Magdalene's director of photography is recorded as Victor Fleming[12].
- An Innocent Magdalene's color is recorded as black-and-white[13].
- An Innocent Magdalene's country of origin is recorded as United States[14].
- An Innocent Magdalene was released on January 1, 1916[15].
- An Innocent Magdalene's distributed by is recorded as Triangle Film Corporation[16].
- An Innocent Magdalene's title is recorded as {'lang': 'en', 'text': 'An Innocent Magdalene'}[17].
- An Innocent Magdalene's duration is recorded as {'unit': 'Q7727', 'amount': '+50'}[18].
- An Innocent Magdalene's copyright status is recorded as public domain[19].
- An Innocent Magdalene's state of transmission is recorded as lost[20].
Body
Authorship and Creation
An Innocent Magdalene was directed by Allan Dwan[4]. Cast members include Lillian Gish[7], Mary Alden[8], Sam De Grasse[9], Spottiswoode Aitken[10], and William De Vaull[11].
Publication
An Innocent Magdalene was released on January 1, 1916[15]. Genres include drama film[5] and silent film[6].
Why It Matters
An Innocent Magdalene ranks in the top 4% of film entities by monthly Wikipedia readership (29 views/month).[2] It has Wikipedia articles in 7 language editions, a strong signal of global cultural recognition.[21] It is known by 3 alternative names across languages and contexts.[22]