After 3327
episode of Welcome to Night Vale
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After 3327
Summary
After 3327 is a podcast episode[1]. It is known by 3 alternative names across languages and contexts.[2]
Key Facts
- After 3327's instance of is recorded as podcast episode[3].
- Joseph Fink wrote the screenplay for After 3327[4].
- Jeffrey Cranor wrote the screenplay for After 3327[5].
- After 3327's composer is recorded as Jon Bernstein[6].
- After 3327's part of the series is recorded as Welcome to Night Vale[7].
- After 3327's copyright license is recorded as proprietary license[8].
- After 3327's language of work or name is recorded as English[9].
- After 3327 was distributed by audio podcast[10].
- After 3327's country of origin is recorded as United States[11].
- After 3327 was published on February 1, 2016[12].
- After 3327's characters is recorded as Cecil Palmer[13].
- After 3327's voice actor is recorded as Cecil Baldwin[14].
- After 3327's narrative location is recorded as Night Vale[15].
- After 3327's theme music is recorded as The Ballad of Fiedler and Mundt[16].
- After 3327's theme music is recorded as The Ballad of Magnus and Axel[17].
- After 3327's takes place in fictional universe is recorded as Welcome to Night Vale universe[18].
- After 3327's title is recorded as After 3327[19].
- After 3327's duration is recorded as {'unit': 'http://www.wikidata.org/entity/Q11574', 'amount': '+1541'}[20].
- After 3327's production code is recorded as 81[21].
- After 3327's narrator is recorded as Cecil Palmer[22].
- After 3327's copyright status is recorded as copyrighted[23].
Body
Authorship and Creation
Screenwriters include Joseph Fink[4] and Jeffrey Cranor[5].
Publication
After 3327 was published on February 1, 2016[12]. Its language of work or name is recorded as English[9]. Its part of the series is recorded as Welcome to Night Vale[7]. It was distributed by audio podcast[10].
Subject and Themes
After 3327's part of the series is recorded as Welcome to Night Vale[7].
Why It Matters
After 3327 is known by 3 alternative names across languages and contexts.[2]