A rigorous examination by the Holy Office
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Summary
A rigorous examination by the Holy Office is a painting[1]. It is known by 4 alternative names across languages and contexts.[2]
Key Facts
- A rigorous examination by the Holy Office is the creator of Gioacchino Toma[3].
- A rigorous examination by the Holy Office's instance of is recorded as painting[4].
- A rigorous examination by the Holy Office's genre is history painting[5].
- A rigorous examination by the Holy Office is made of oil paint[6].
- A rigorous examination by the Holy Office is made of panel[7].
- A rigorous examination by the Holy Office's collection is recorded as Castel Nuovo[8].
- A rigorous examination by the Holy Office took place at Castel Nuovo[9].
- A rigorous examination by the Holy Office's Commons category is recorded as Un rigoroso esame del Sant’Uffizio (Toma)[10].
- 1864 marks the founding of A rigorous examination by the Holy Office[11].
- A rigorous examination by the Holy Office's exhibition history is recorded as Third exhibition of the Society for the Promotion of Fine Arts of Naples, 1864[12].
- A rigorous examination by the Holy Office's title is recorded as Un rigoroso esame del Sant'Uffizio[13].
- A rigorous examination by the Holy Office's height is recorded as {'unit': 'http://www.wikidata.org/entity/Q174728', 'amount': '+98'}[14].
- A rigorous examination by the Holy Office's width is recorded as {'unit': 'http://www.wikidata.org/entity/Q174728', 'amount': '+130'}[15].
- A rigorous examination by the Holy Office's copyright status is recorded as public domain[16].
Body
Authorship and Creation
A rigorous examination by the Holy Office is the creator of Gioacchino Toma[3].
Publication
A rigorous examination by the Holy Office's genre is history painting[5].
Material and Period
Recorded made from material include oil paint[6] and panel[7]. The location of A rigorous examination by the Holy Office was Castel Nuovo[9].
Why It Matters
A rigorous examination by the Holy Office is known by 4 alternative names across languages and contexts.[2]