A Haunting in Salem
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A Haunting in Salem
Summary
A Haunting in Salem is a film[1]. It ranks in the top 4% of film entities by monthly Wikipedia readership (131 views/month).[2]
Key Facts
- A Haunting in Salem's instance of is recorded as film[3].
- A Haunting in Salem was directed by Shane Van Dyke[4].
- A Haunting in Salem's composer is recorded as Chris Ridenhour[5].
- A Haunting in Salem's genre is horror film[6].
- A cast member of A Haunting in Salem was Bill Oberst, Jr.[7].
- A Haunting in Salem was produced by David Michael Latt[8].
- A Haunting in Salem's production company is recorded as The Asylum[9].
- The original language of A Haunting in Salem was English[10].
- A Haunting in Salem was distributed by video on demand[11].
- A Haunting in Salem was distributed by direct-to-video[12].
- A Haunting in Salem's color is recorded as color[13].
- A Haunting in Salem's country of origin is recorded as United States[14].
- A Haunting in Salem was released on January 1, 2011[15].
- A Haunting in Salem's distributed by is recorded as Netflix[16].
- A Haunting in Salem's distributed by is recorded as Fandango at Home[17].
- A Haunting in Salem's film editor is recorded as James Kondelik[18].
- A Haunting in Salem's title is recorded as A Haunting in Salem[19].
- A Haunting in Salem's FSK film rating is recorded as FSK 16[20].
- A Haunting in Salem's duration is recorded as {'amount': '+81'}[21].
- A Haunting in Salem's P14821 is recorded as 1912981[22].
Body
Authorship and Creation
A Haunting in Salem was produced by David Michael Latt[8]. It was directed by Shane Van Dyke[4]. A cast member of it was Bill Oberst, Jr.[7].
Publication
A Haunting in Salem was released on January 1, 2011[15]. The original language of it was English[10]. Its genre is horror film[6]. Recorded distribution format include video on demand[11] and direct-to-video[12].
Why It Matters
A Haunting in Salem ranks in the top 4% of film entities by monthly Wikipedia readership (131 views/month).[2] It is known by 4 alternative names across languages and contexts.[23]