200 mph
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200 mph
Summary
200 mph is a film[1]. It ranks in the top 4% of film entities by monthly Wikipedia readership (73 views/month).[2]
Key Facts
- 200 mph's instance of is recorded as film[3].
- 200 mph was directed by Cole S. McKay[4].
- 200 mph's genre is action film[5].
- A cast member of 200 mph was Paul Logan[6].
- A cast member of 200 mph was Jaz Martin[7].
- 200 mph was produced by Paul Bales[8].
- 200 mph's production company is recorded as The Asylum[9].
- 200 mph's director of photography is recorded as Alexander Yellen[10].
- The original language of 200 mph was English[11].
- 200 mph was distributed by video on demand[12].
- 200 mph was distributed by direct-to-video[13].
- 200 mph's color is recorded as color[14].
- 200 mph's country of origin is recorded as United States[15].
- 200 mph was released on January 1, 2011[16].
- 200 mph's distributed by is recorded as The Asylum[17].
- 200 mph's distributed by is recorded as Netflix[18].
- 200 mph's filming location is recorded as Los Angeles[19].
- 200 mph's main subject is car[20].
- 200 mph's title is recorded as 200 mph[21].
- 200 mph's different from is recorded as 200 MPH[22].
- 200 mph's duration is recorded as {'amount': '+92'}[23].
- 200 mph's aspect ratio is recorded as 16:9[24].
- 200 mph's Kijkwijzer rating is recorded as 12[25].
- 200 mph's P14821 is recorded as 1823051[26].
Body
Authorship and Creation
200 mph was produced by Paul Bales[8]. It was directed by Cole S. McKay[4]. Cast members include Paul Logan[6] and Jaz Martin[7].
Publication
200 mph was released on January 1, 2011[16]. The original language of it was English[11]. Its genre is action film[5]. Recorded distribution format include video on demand[12] and direct-to-video[13].
Subject and Themes
200 mph's main subject is car[20].
Why It Matters
200 mph ranks in the top 4% of film entities by monthly Wikipedia readership (73 views/month).[2] It has Wikipedia articles in 5 language editions, a strong signal of global cultural recognition.[27] It is known by 9 alternative names across languages and contexts.[28]