Wild Arms 3
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Wild Arms 3
Summary
Wild Arms 3 is a video game[1]. It ranks in the top 5% of video_game entities by monthly Wikipedia readership (413 views/month).[2]
Key Facts
- Wild Arms 3's instance of is recorded as video game[3].
- Wild Arms 3's composer is recorded as Michiko Naruke[4].
- Wild Arms 3 was published by Sony Interactive Entertainment[5].
- Wild Arms 3's genre is role-playing video game[6].
- Wild Arms 3 was performed by Michiko Naruke[7].
- Wild Arms 3's developer is recorded as Media.Vision[8].
- Wild Arms 3's part of the series is recorded as Wild Arms[9].
- Wild Arms 3's platform is recorded as Q10680[10].
- Wild Arms 3's platform is recorded as PlayStation 4[11].
- Wild Arms 3's game mode is recorded as single-player video game[12].
- Wild Arms 3's soundtrack release is recorded as Wild Arms: Advanced 3rd Original Soundtrack[13].
- Wild Arms 3 was distributed by DVD[14].
- Wild Arms 3's country of origin is recorded as Japan[15].
- Wild Arms 3 was released on March 14, 2002[16].
- Wild Arms 3's distributed by is recorded as PlayStation Now[17].
- Wild Arms 3's set in environment is recorded as fictional planet[18].
Product Details
The following facts are restated verbatim from public-domain and CC0 open-data sources — every line is independently verifiable against the named source's catalog.
MusicBrainz — CC0 open music encyclopedia
Body
Authorship and Creation
Wild Arms 3 was published by Sony Interactive Entertainment[5]. It was performed by Michiko Naruke[7].
Publication
Wild Arms 3 was published on March 14, 2002[16]. Its genre is role-playing video game[6]. Its part of the series is recorded as Wild Arms[9]. It was distributed by DVD[14].
Subject and Themes
Wild Arms 3's part of the series is recorded as Wild Arms[9].
Why It Matters
Wild Arms 3 ranks in the top 5% of video_game entities by monthly Wikipedia readership (413 views/month).[2] It has Wikipedia articles in 5 language editions, a strong signal of global cultural recognition.[21] It is known by 9 alternative names across languages and contexts.[22]