Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard
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Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard
Summary
Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard is a doctoral thesis[1].
Key Facts
- Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard authored Voice as productive obstruction in the early prose of Thomas Bernhard — author (P50): Peter Alexander Barton[2].
- Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard's instance of is recorded as Voice as productive obstruction in the early prose of Thomas Bernhard — instance of (P31): doctoral thesis[3].
- Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard's publisher is recorded as Voice as productive obstruction in the early prose of Thomas Bernhard — publisher (P123): OUR Archive[4].
- Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard's language of work or name is recorded as Voice as productive obstruction in the early prose of Thomas Bernhard — language of work or name (P407): English[5].
- Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard's country of origin is recorded as Voice as productive obstruction in the early prose of Thomas Bernhard — country of origin (P495): New Zealand[6].
- Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard's publication date is recorded as +2015-00-00T00:00:00Z[7].
- Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard's main subject is recorded as Voice as productive obstruction in the early prose of Thomas Bernhard — main subject (P921): psychoanalysis[8].
- Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard's main subject is recorded as Voice as productive obstruction in the early prose of Thomas Bernhard — main subject (P921): Slavoj Žižek[9].
- Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard's main subject is recorded as Voice as productive obstruction in the early prose of Thomas Bernhard — main subject (P921): Jacques Lacan[10].
- Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard's main subject is recorded as Voice as productive obstruction in the early prose of Thomas Bernhard — main subject (P921): German Romanticism[11].
- Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard's Handle ID is recorded as 10523/5979[12].
- Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard's title is recorded as Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard[13].
- Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard's copyright holder is recorded as Voice as productive obstruction in the early prose of Thomas Bernhard — copyright holder (P3931): Peter Alexander Barton[14].
- Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard's thesis submitted to is recorded as Voice as productive obstruction in the early prose of Thomas Bernhard — thesis submitted to (P4101): University of Otago[15].
- Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard's on focus list of Wikimedia project is recorded as Voice as productive obstruction in the early prose of Thomas Bernhard — on focus list of Wikimedia project (P5008): NZThesisProject[16].
- Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard's copyright status is recorded as Voice as productive obstruction in the early prose of Thomas Bernhard — copyright status (P6216): copyrighted[17].
- Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard's thesis committee member is recorded as Voice as productive obstruction in the early prose of Thomas Bernhard — thesis committee member (P9161): Timothy J. Mehigan[18].
- Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard's thesis committee member is recorded as Voice as productive obstruction in the early prose of Thomas Bernhard — thesis committee member (P9161): Simon Collis Ryan[19].
Body
Designation and Status
Vocal Texts: Voice as productive obstruction in the early prose of Thomas Bernhard's instance of is recorded as Voice as productive obstruction in the early prose of Thomas Bernhard — instance of (P31): doctoral thesis[3].