Touch of Death
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Touch of Death
Summary
Touch of Death is a film[1]. It has Wikipedia articles in 5 language editions, a strong signal of global cultural recognition.[2]
Key Facts
- Touch of Death's instance of is recorded as film[3].
- Touch of Death was directed by Lucio Fulci[4].
- Lucio Fulci wrote the screenplay for Touch of Death[5].
- Touch of Death's composer is recorded as Carlo Maria Cordio[6].
- Touch of Death's genre is splatter film[7].
- A cast member of Touch of Death was Brett Halsey[8].
- A cast member of Touch of Death was Ria De Simone[9].
- A cast member of Touch of Death was Al Cliver[10].
- A cast member of Touch of Death was Zora Kerova[11].
- A cast member of Touch of Death was Maurice Poli[12].
- The original language of Touch of Death was Italian[13].
- Touch of Death was distributed by direct-to-video[14].
- Touch of Death's color is recorded as color[15].
- Touch of Death's country of origin is recorded as Italy[16].
- Touch of Death was published on January 1, 1988[17].
- Touch of Death's narrative location is recorded as United States[18].
- Touch of Death's main subject is serial killer[19].
- Touch of Death's film editor is recorded as Vincenzo Tomassi[20].
- Touch of Death's title is recorded as {'lang': 'it', 'text': 'Quando Alice ruppe lo specchio'}[21].
- Touch of Death's duration is recorded as {'unit': 'Q7727', 'amount': '+90'}[22].
Body
Authorship and Creation
Touch of Death was directed by Lucio Fulci[4]. Lucio Fulci wrote the screenplay for it[5]. Cast members include Brett Halsey[8], Ria De Simone[9], Al Cliver[10], Zora Kerova[11], and Maurice Poli[12].
Publication
Touch of Death was published on January 1, 1988[17]. The original language of it was Italian[13]. Its genre is splatter film[7]. It was distributed by direct-to-video[14].
Subject and Themes
Touch of Death's main subject is serial killer[19].
Why It Matters
Touch of Death has Wikipedia articles in 5 language editions, a strong signal of global cultural recognition.[2] It is known by 4 alternative names across languages and contexts.[23]