The Zone of Interest
0 sources
The Zone of Interest
Summary
The Zone of Interest is a literary work[1]. It ranks in the top 3% of literary_work entities by monthly Wikipedia readership (423 views/month).[2]
Key Facts
- The Zone of Interest authored Martin Amis[3].
- The Zone of Interest's instance of is recorded as literary work[4].
- The Zone of Interest's publisher is recorded as Jonathan Cape[5].
- The Zone of Interest's follows is recorded as Lionel Asbo: State of England[6].
- The Zone of Interest's followed by is recorded as The Rub of Time[7].
- The Zone of Interest's VIAF cluster ID is recorded as 310483334[8].
- The Zone of Interest's language of work or name is recorded as English[9].
- The Zone of Interest's publication date is recorded as +2014-08-28T00:00:00Z[10].
- The Zone of Interest's Open Library ID is recorded as OL35183085W[11].
- The Zone of Interest's has edition or translation is recorded as Q126733705[12].
- The Zone of Interest's narrative location is recorded as Auschwitz[13].
- The Zone of Interest's number of pages is recorded as {'amount': '+304'}[14].
- The Zone of Interest's Encyclopædia Britannica Online ID is recorded as topic/The-Zone-of-Interest[15].
- The Zone of Interest's title is recorded as {'lang': 'en', 'text': 'The Zone of Interest'}[16].
- The Zone of Interest's BBC Things ID is recorded as bdb99b2d-08ea-43cd-99e9-174de5387c74[17].
- The Zone of Interest's Babelio work ID is recorded as 728120[18].
- The Zone of Interest's FantLab work ID is recorded as 665307[19].
- The Zone of Interest's form of creative work is recorded as novel[20].
- The Zone of Interest's Penguin Random House work ID is recorded as 239646[21].
Body
Works and Contributions
The Zone of Interest authored Martin Amis[3].
Why It Matters
The Zone of Interest ranks in the top 3% of literary_work entities by monthly Wikipedia readership (423 views/month).[2] It has Wikipedia articles in 6 language editions, a strong signal of global cultural recognition.[22] It is known by 3 alternative names across languages and contexts.[23]