The Trials of Moses
0 sources
The Trials of Moses
Summary
The Trials of Moses is a fresco[1]. It draws 15 Wikipedia views per month (fresco category, ranking #46 of 102).[2]
Key Facts
- The Trials of Moses is the creator of Sandro Botticelli[3].
- The Trials of Moses's image is recorded as Eventos de la vida de Moisés (Sandro Botticelli).jpg[4].
- The Trials of Moses's instance of is recorded as fresco[5].
- The Trials of Moses's movement is recorded as Early Renaissance[6].
- The Trials of Moses's genre is recorded as religious art[7].
- The Trials of Moses's made from material is recorded as fresco[8].
- The Trials of Moses's collection is recorded as Sistine Chapel[9].
- The Trials of Moses's location is recorded as Sistine Chapel[10].
- The Trials of Moses's Commons category is recorded as Trials and Calling of Moses[11].
- +1481-00-00T00:00:00Z marks the founding of The Trials of Moses[12].
- The Trials of Moses's Freebase ID is recorded as /m/0gmdqbm[13].
- The Trials of Moses's depicts Iconclass notation is recorded as 71E1[14].
- The Trials of Moses's height is recorded as {'unit': 'Q174728', 'amount': '+348.5'}[15].
- The Trials of Moses's width is recorded as {'unit': 'Q174728', 'amount': '+558'}[16].
- The Trials of Moses's fabrication method is recorded as fresco painting[17].
- The Trials of Moses's name is recorded as {'lang': 'fr', 'text': 'Moïse tuant l’Egyptien et défendant contre les pasteurs madianites les filles de Jethro, et le feu tombant du ciel pendant le sacrifice des fils d’Aaron'}[18].
- The Trials of Moses's Federico Zeri Foundation image ID is recorded as 14991[19].
- The Trials of Moses's Utpictura18 artwork ID is recorded as 6807[20].
Body
Works and Contributions
The Trials of Moses is the creator of Sandro Botticelli[3].
Why It Matters
The Trials of Moses draws 15 Wikipedia views per month (fresco category, ranking #46 of 102).[2] It has Wikipedia articles in 13 language editions, a strong signal of global cultural recognition.[21] It is known by 5 alternative names across languages and contexts.[22]