The Stars, Like Dust
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The Stars, Like Dust
Summary
The Stars, Like Dust is a literary work[1]. It has Wikipedia articles in 17 language editions, a strong signal of global cultural recognition.[2]
Key Facts
- The Stars, Like Dust authored Isaac Asimov[3].
- The Stars, Like Dust's instance of is recorded as literary work[4].
- The Stars, Like Dust was published by Doubleday[5].
- The Stars, Like Dust's genre is science fiction[6].
- The Stars, Like Dust followed Isaac Asimov's Utopia[7].
- The Stars, Like Dust was followed by The Currents of Space[8].
- The Stars, Like Dust's part of the series is recorded as Galactic Empire[9].
- The Stars, Like Dust's language of work or name is recorded as English[10].
- The Stars, Like Dust's country of origin is recorded as United States[11].
- 1951 marks the founding of The Stars, Like Dust[12].
- The Stars, Like Dust was published on 1951[13].
- The Stars, Like Dust's has edition or translation is recorded as Q121942544[14].
- The Stars, Like Dust's has edition or translation is recorded as Q134399838[15].
- The Stars, Like Dust's has edition or translation is recorded as Q134399850[16].
- The Stars, Like Dust's title is recorded as {'lang': 'en', 'text': 'The Stars, Like Dust'}[17].
- The Stars, Like Dust's form of creative work is recorded as novel[18].
Body
Authorship and Creation
The Stars, Like Dust authored Isaac Asimov[3]. It was published by Doubleday[5].
Publication
The Stars, Like Dust was released on 1951[13]. Its language of work or name is recorded as English[10]. Its genre is science fiction[6]. Its part of the series is recorded as Galactic Empire[9].
Subject and Themes
The Stars, Like Dust's part of the series is recorded as Galactic Empire[9].
Adaptations and Inspiration
The Stars, Like Dust followed Isaac Asimov's Utopia[7]. It was followed by The Currents of Space[8].
Why It Matters
The Stars, Like Dust has Wikipedia articles in 17 language editions, a strong signal of global cultural recognition.[2] It is known by 6 alternative names across languages and contexts.[19]