The Keep
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The Keep
Summary
The Keep is a literary work[1]. It ranks in the top 4% of literary_work entities by monthly Wikipedia readership (100 views/month).[2]
Key Facts
- The Keep authored F. Paul Wilson[3].
- The Keep's instance of is recorded as literary work[4].
- The Keep's genre is recorded as vampire fiction[5].
- The Keep's genre is recorded as horror literature[6].
- The Keep's followed by is recorded as The Tomb[7].
- The Keep's part of the series is recorded as The Adversary Cycle[8].
- The Keep's language of work or name is recorded as English[9].
- The Keep's country of origin is recorded as United States[10].
- The Keep's publication date is recorded as +1981-07-00T00:00:00Z[11].
- The Keep's Freebase ID is recorded as /m/0flkyp[12].
- The Keep's Open Library ID is recorded as OL108168W[13].
- The Keep's has edition or translation is recorded as The Keep[14].
- The Keep's has edition or translation is recorded as Q115696836[15].
- The Keep's has edition or translation is recorded as Q115696995[16].
- The Keep's main subject is recorded as World War II[17].
- The Keep's LibraryThing work ID is recorded as 32248[18].
- The Keep's ISFDB title ID is recorded as 1674[19].
- The Keep's nominated for is recorded as Locus Award for Best Fantasy Novel[20].
- The Keep's title is recorded as {'lang': 'en', 'text': 'The Keep'}[21].
- The Keep's derivative work is recorded as The Keep[22].
- The Keep's derivative work is recorded as The Keep[23].
- The Keep's OCLC work ID is recorded as 434850[24].
- The Keep's FantLab work ID is recorded as 56874[25].
- The Keep's form of creative work is recorded as novel[26].
- The Keep's Goodreads work ID is recorded as 3354329[27].
Body
Works and Contributions
The Keep authored F. Paul Wilson[3].
Why It Matters
The Keep ranks in the top 4% of literary_work entities by monthly Wikipedia readership (100 views/month).[2] It has Wikipedia articles in 5 language editions, a strong signal of global cultural recognition.[28] It is known by 3 alternative names across languages and contexts.[29]