The High Road
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The High Road
Summary
The High Road is an album[1]. It has Wikipedia articles in 12 language editions, a strong signal of global cultural recognition.[2]
Key Facts
- The High Road's instance of is recorded as album[3].
- The High Road's genre is contemporary R&B[4].
- The High Road's genre is pop music[5].
- The High Road was produced by Swizz Beatz[6].
- The High Road was produced by Soulshock & Karlin[7].
- The High Road was produced by Scott Storch[8].
- The High Road was performed by JoJo[9].
- The High Road's record label is recorded as Blackground Records[10].
- The High Road is part of JoJo's albums in chronological order[11].
- The High Road's language of work or name is recorded as English[12].
- The High Road's recorded at studio or venue is recorded as Criteria Studios[13].
- The High Road's recorded at studio or venue is recorded as Sony Music Studios[14].
- The High Road's recorded at studio or venue is recorded as Chalice Recording Studios[15].
- The High Road was published on October 17, 2006[16].
- The High Road's tracklist is recorded as Too Little Too Late[17].
- The High Road's tracklist is recorded as How to Touch a Girl[18].
- The High Road's tracklist is recorded as Anything[19].
- The High Road's title is recorded as {'lang': 'en', 'text': 'The High Road'}[20].
- The High Road's duration is recorded as {'unit': 'Q11574', 'amount': '+2667'}[21].
- The High Road's form of creative work is recorded as studio album[22].
Body
Authorship and Creation
Among the performers on The High Road was JoJo[9]. Producers include Swizz Beatz[6], Soulshock & Karlin[7], and Scott Storch[8].
Publication
The High Road was released on October 17, 2006[16]. Its language of work or name is recorded as English[12]. Genres include contemporary R&B[4] and pop music[5]. It is part of JoJo's albums in chronological order[11].
Why It Matters
The High Road has Wikipedia articles in 12 language editions, a strong signal of global cultural recognition.[2] It is known by 4 alternative names across languages and contexts.[23]