Home › Entities › doctoral_thesis › The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall

The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall

2017 doctoral thesis by Lynley Carol Edmeades at University of Otago
Place doctoral_thesis Q112932148
Press Enter · cited answer in seconds

The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall

Summary

The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall is a doctoral thesis[1].

Key Facts

  • The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall authored Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall — author (P50): Lynley Edmeades[2].
  • The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall's instance of is recorded as Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall — instance of (P31): doctoral thesis[3].
  • The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall's publisher is recorded as Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall — publisher (P123): OUR Archive[4].
  • The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall's language of work or name is recorded as Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall — language of work or name (P407): English[5].
  • The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall's country of origin is recorded as Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall — country of origin (P495): New Zealand[6].
  • The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall's publication date is recorded as +2017-00-00T00:00:00Z[7].
  • The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall's main subject is recorded as Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall — main subject (P921): poetry[8].
  • The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall's main subject is recorded as Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall — main subject (P921): technology[9].
  • The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall's main subject is recorded as Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall — main subject (P921): John Cage[10].
  • The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall's main subject is recorded as Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall — main subject (P921): sound[11].
  • The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall's main subject is recorded as Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall — main subject (P921): Caroline Bergvall[12].
  • The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall's main subject is recorded as Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall — main subject (P921): media studies[13].
  • The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall's Handle ID is recorded as 10523/7399[14].
  • The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall's title is recorded as The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall[15].
  • The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall's copyright holder is recorded as Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall — copyright holder (P3931): Lynley Edmeades[16].
  • The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall's thesis submitted to is recorded as Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall — thesis submitted to (P4101): University of Otago[17].
  • The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall's on focus list of Wikimedia project is recorded as Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall — on focus list of Wikimedia project (P5008): NZThesisProject[18].
  • The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall's copyright status is recorded as Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall — copyright status (P6216): copyrighted[19].
  • The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall's thesis committee member is recorded as Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall — thesis committee member (P9161): Jacob Edmond[20].
  • The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall's thesis committee member is recorded as Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall — thesis committee member (P9161): Evelyn Tribble[21].

Body

Designation and Status

The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall's instance of is recorded as Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall — instance of (P31): doctoral thesis[3].

References

Programmatic citations — every numbered marker resolves to a verifiable graph row below.

Direct Wikidata claims

  1. [3] ↑ . wikidata.org.
  2. [2] ↑ . hdl.handle.net. hdl.handle.net. Provenance: wikidata.org.
  3. [4] ↑ . wikidata.org.
  4. [5] ↑ . wikidata.org.
  5. [6] ↑ . wikidata.org.
  6. [7] ↑ . wikidata.org.
  7. [8] ↑ . hdl.handle.net. hdl.handle.net. Provenance: wikidata.org.
  8. [9] ↑ . hdl.handle.net. hdl.handle.net. Provenance: wikidata.org.
  9. [10] ↑ . hdl.handle.net. hdl.handle.net. Provenance: wikidata.org.
  10. [11] ↑ . hdl.handle.net. hdl.handle.net. Provenance: wikidata.org.
  11. [12] ↑ . hdl.handle.net. hdl.handle.net. Provenance: wikidata.org.
  12. [13] ↑ . hdl.handle.net. hdl.handle.net. Provenance: wikidata.org.
  13. [14] ↑ . wikidata.org.
  14. [15] ↑ . wikidata.org.
  15. [16] ↑ . wikidata.org.
  16. [17] ↑ . wikidata.org.
  17. [18] ↑ . wikidata.org.
  18. [19] ↑ . wikidata.org.
  19. [20] ↑ . wikidata.org.
  20. [21] ↑ . wikidata.org.

Class ancestry

  1. [1] ↑ . Wikidata. wikidata.org.

📑 Cite this page

Use these citations when quoting this entity in research, articles, AI prompts, or wherever provenance matters. We aggregate Wikidata + Wikipedia + authoritative open-data sources; the stitched, scored, cross-referenced view is what 4ort.xyz contributes.

APA 4ort.xyz Knowledge Graph. (2026). The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall. Retrieved May 3, 2026, from https://4ort.xyz/entity/the-hear-and-now-sound-and-technology-in-the-avant-garde-poetics-of-gertrude-stein-john-cage-and-caroline-bergvall
MLA “The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall.” 4ort.xyz Knowledge Graph, 4ort.xyz, 3 May. 2026, https://4ort.xyz/entity/the-hear-and-now-sound-and-technology-in-the-avant-garde-poetics-of-gertrude-stein-john-cage-and-caroline-bergvall.
BibTeX @misc{4ortxyz_the-hear-and-now-sound-and-technology-in-the-avant-garde-poetics-of-gertrude-stein-john-cage-and-caroline-bergvall_2026, author = {{4ort.xyz Knowledge Graph}}, title = {{The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall}}, year = {2026}, url = {https://4ort.xyz/entity/the-hear-and-now-sound-and-technology-in-the-avant-garde-poetics-of-gertrude-stein-john-cage-and-caroline-bergvall}, note = {Accessed: 2026-05-03}}
LLM prompt According to 4ort.xyz Knowledge Graph (aggregator of Wikidata, Wikipedia, and authoritative open-data sources): The Hear and Now: Sound and Technology in the Avant-Garde Poetics of Gertrude Stein, John Cage, and Caroline Bergvall — https://4ort.xyz/entity/the-hear-and-now-sound-and-technology-in-the-avant-garde-poetics-of-gertrude-stein-john-cage-and-caroline-bergvall (retrieved 2026-05-03)

Canonical URL: https://4ort.xyz/entity/the-hear-and-now-sound-and-technology-in-the-avant-garde-poetics-of-gertrude-stein-john-cage-and-caroline-bergvall · Last refreshed: