The Hand of the Cloth: An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality
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The Hand of the Cloth: An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality
Summary
The Hand of the Cloth: An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality is a doctoral thesis[1].
Key Facts
- The Hand of the Cloth: An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality authored An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality — author (P50): Miranda Smitheram[2].
- The Hand of the Cloth: An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality's instance of is recorded as An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality — instance of (P31): doctoral thesis[3].
- The Hand of the Cloth: An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality's publisher is recorded as An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality — publisher (P123): Tuwhera Open Access Publisher[4].
- The Hand of the Cloth: An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality's language of work or name is recorded as An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality — language of work or name (P407): English[5].
- The Hand of the Cloth: An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality's country of origin is recorded as An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality — country of origin (P495): New Zealand[6].
- The Hand of the Cloth: An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality's publication date is recorded as +2016-00-00T00:00:00Z[7].
- The Hand of the Cloth: An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality's main subject is recorded as An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality — main subject (P921): design research[8].
- The Hand of the Cloth: An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality's main subject is recorded as An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality — main subject (P921): manifestation[9].
- The Hand of the Cloth: An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality's main subject is recorded as An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality — main subject (P921): textile[10].
- The Hand of the Cloth: An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality's Handle ID is recorded as 10292/10621[11].
- The Hand of the Cloth: An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality's title is recorded as The Hand of the Cloth: An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality[12].
- The Hand of the Cloth: An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality's copyright holder is recorded as An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality — copyright holder (P3931): Miranda Smitheram[13].
- The Hand of the Cloth: An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality's thesis submitted to is recorded as An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality — thesis submitted to (P4101): Auckland University of Technology[14].
- The Hand of the Cloth: An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality's on focus list of Wikimedia project is recorded as An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality — on focus list of Wikimedia project (P5008): NZThesisProject[15].
- The Hand of the Cloth: An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality's copyright status is recorded as An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality — copyright status (P6216): copyrighted[16].
- The Hand of the Cloth: An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality's thesis committee member is recorded as An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality — thesis committee member (P9161): Frances Joseph[17].
- The Hand of the Cloth: An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality's thesis committee member is recorded as An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality — thesis committee member (P9161): Amanda Smith[18].
Body
Designation and Status
The Hand of the Cloth: An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality's instance of is recorded as An Ontological and Aesthetic Unfolding Through Digital and Virtual Materiality — instance of (P31): doctoral thesis[3].