The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century

Summary

The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century is a conference proceedings^[1].

Key Facts

• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's instance of is recorded as new interpretations and research perspectives for the European Eighteenth Century — instance of (P31): conference proceedings^[2].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's language of work or name is recorded as new interpretations and research perspectives for the European Eighteenth Century — language of work or name (P407): Italian^[3].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's language of work or name is recorded as new interpretations and research perspectives for the European Eighteenth Century — language of work or name (P407): English^[4].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's issue is recorded as supplementi 8/2018^[5].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's has part is recorded as new interpretations and research perspectives for the European Eighteenth Century — has part(s) (P527): The Buonaccorsi as patrons between Macerata and Italy: geography, dynamics and relationships^[6].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's has part is recorded as new interpretations and research perspectives for the European Eighteenth Century — has part(s) (P527): The Gallery and the collections of the Buonaccorsi family: patronage and artists^[7].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's has part is recorded as new interpretations and research perspectives for the European Eighteenth Century — has part(s) (P527): The building site of Palazzo Buonaccorsi in the Giovambattista Contini's Life: relativo a between the center and the periphery^[8].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's has part is recorded as new interpretations and research perspectives for the European Eighteenth Century — has part(s) (P527): Neapolitan presences at Palazzo Buonaccorsi in Macerata: inside and outside the Gallery of the Aeneid^[9].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's has part is recorded as new interpretations and research perspectives for the European Eighteenth Century — has part(s) (P527): The Buonaccorsi family and the Venitians^[10].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's has part is recorded as new interpretations and research perspectives for the European Eighteenth Century — has part(s) (P527): Painting(s) from Venice: Traces of Gregorio Lazzarini’s activity at Macerata^[11].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's has part is recorded as new interpretations and research perspectives for the European Eighteenth Century — has part(s) (P527): Galleries in Spanish and Austrian Lombardy: spaces of collecting and forms of patronage between artistic literature, iconography and dynastic celebration^[12].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's has part is recorded as new interpretations and research perspectives for the European Eighteenth Century — has part(s) (P527): The gallery along XVII and XVIII century: a dialogue between architecture and decoration^[13].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's has part is recorded as new interpretations and research perspectives for the European Eighteenth Century — has part(s) (P527): The galleries in Verona in the Baroque period^[14].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's has part is recorded as new interpretations and research perspectives for the European Eighteenth Century — has part(s) (P527): Models and resonances in the bolognese school at the Buonaccorsi Gallery^[15].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's has part is recorded as new interpretations and research perspectives for the European Eighteenth Century — has part(s) (P527): Cosmogonic echoes in the pictorial decoration of the Palazzo Sansevero in Naples^[16].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's has part is recorded as new interpretations and research perspectives for the European Eighteenth Century — has part(s) (P527): The interior decoration of Roman houses between the seventeenth and eighteenth centuries: an itinerary in the classical tradition of the Urbe^[17].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's has part is recorded as new interpretations and research perspectives for the European Eighteenth Century — has part(s) (P527): French Models for Macerata? Pictorial Cycles of Subjects from Epic Poetry in French Galleries^[18].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's has part is recorded as new interpretations and research perspectives for the European Eighteenth Century — has part(s) (P527): Before the Aeneid. Bacchus and Hercules in the decorations of the rooms of Palazzo Buonaccorsi^[19].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's has part is recorded as new interpretations and research perspectives for the European Eighteenth Century — has part(s) (P527): The allegory of the months in the Galleria di Enea in palazzo Buonaccorsi, Macerata. New insights on iconography^[20].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's has part is recorded as new interpretations and research perspectives for the European Eighteenth Century — has part(s) (P527): From the Aeneid an anthology for being successful. The selection of the passages and the details in the Vergilian paintings of the Galleria Buonaccorsi^[21].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's has part is recorded as new interpretations and research perspectives for the European Eighteenth Century — has part(s) (P527): Words and images for the Aeneid in the XVI Century^[22].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's has part is recorded as new interpretations and research perspectives for the European Eighteenth Century — has part(s) (P527): From dynastic celebration to Aeneas’s myth and an ethical interpretation of universal history: an iconographic itinerary among Genoese galleries^[23].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's has part is recorded as new interpretations and research perspectives for the European Eighteenth Century — has part(s) (P527): The Painter at the Crossroads: Sebastiano Ricci in Florence and the Interplay between the Arts^[24].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's has part is recorded as new interpretations and research perspectives for the European Eighteenth Century — has part(s) (P527): «Quadri abbastanza belli». Reception, Criticism and the Public^[25].
• The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's has part is recorded as new interpretations and research perspectives for the European Eighteenth Century — has part(s) (P527): «Pittore pronto, spedito e universale»: the critical reception of Nicolò Bambini in the Eighteenth Century^[26].

Body

Publication

The Gallery of Palazzo Buonaccorsi in Macerata: new interpretations and research perspectives for the European Eighteenth Century's publication date is recorded as +2018-00-00T00:00:00Z^[27]. Languages include new interpretations and research perspectives for the European Eighteenth Century — language of work or name (P407): Italian^[3] and new interpretations and research perspectives for the European Eighteenth Century — language of work or name (P407): English^[4].