The Courier of Moncenisio
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The Courier of Moncenisio
Summary
The Courier of Moncenisio is a film[1]. It ranks in the top 4% of film entities by monthly Wikipedia readership (1 views/month).[2]
Key Facts
- The Courier of Moncenisio's instance of is recorded as film[3].
- The Courier of Moncenisio was directed by Baldassarre Negroni[4].
- Baldassarre Negroni wrote the screenplay for The Courier of Moncenisio[5].
- The Courier of Moncenisio's genre is drama film[6].
- The Courier of Moncenisio's genre is silent film[7].
- A cast member of The Courier of Moncenisio was Bartolomeo Pagano[8].
- A cast member of The Courier of Moncenisio was Rina De Liguoro[9].
- A cast member of The Courier of Moncenisio was Umberto Casilini[10].
- A cast member of The Courier of Moncenisio was Dina Adorni[11].
- A cast member of The Courier of Moncenisio was Felice Minotti[12].
- The Courier of Moncenisio's production company is recorded as Società Anonima Stefano Pittaluga[13].
- The Courier of Moncenisio's director of photography is recorded as Ubaldo Arata[14].
- The Courier of Moncenisio's color is recorded as black-and-white[15].
- The Courier of Moncenisio's country of origin is recorded as Italy[16].
- The Courier of Moncenisio was published on +1927-01-01T00:00:00Z[17].
- The Courier of Moncenisio's after a work by is recorded as Joseph Bouchardy[18].
Body
Authorship and Creation
The Courier of Moncenisio was directed by Baldassarre Negroni[4]. Baldassarre Negroni wrote the screenplay for it[5]. Cast members include Bartolomeo Pagano[8], Rina De Liguoro[9], Umberto Casilini[10], Dina Adorni[11], and Felice Minotti[12].
Publication
The Courier of Moncenisio was released on +1927-01-01T00:00:00Z[17]. Genres include drama film[6] and silent film[7].
Adaptations and Inspiration
The Courier of Moncenisio's after a work by is recorded as Joseph Bouchardy[18].
Why It Matters
The Courier of Moncenisio ranks in the top 4% of film entities by monthly Wikipedia readership (1 views/month).[2] It is known by 3 alternative names across languages and contexts.[19]