The Concert

Summary

The Concert is a painting^[1]. It has Wikipedia articles in 16 language editions, a strong signal of global cultural recognition.^[2]

Key Facts

• The Concert is the creator of Johannes Vermeer^[3].
• The Concert's instance of is recorded as painting^[4].
• The Concert is owned by Pieter van Ruijven^[5].
• The Concert is owned by Maria de Knuijt^[6].
• The Concert is owned by Magdalena van Ruijven^[7].
• The Concert is owned by Abraham Dissius^[8].
• The Concert is associated with the Dutch Golden Age painting movement^[9].
• The Concert's genre is genre art^[10].
• The Concert's depicts is recorded as The Procuress by Dirck van Baburen^[11].
• The Concert's depicts is recorded as musician^[12].
• The Concert's depicts is recorded as woman^[13].
• The Concert's depicts is recorded as man^[14].
• The Concert's depicts is recorded as sitting^[15].
• The Concert's depicts is recorded as standing^[16].
• The Concert's depicts is recorded as virginal^[17].
• The Concert's depicts is recorded as lute^[18].
• The Concert's depicts is recorded as table^[19].
• The Concert's depicts is recorded as oriental rug^[20].
• The Concert is made of oil paint^[21].
• The Concert is made of canvas^[22].
• The Concert's collection is recorded as Isabella Stewart Gardner Museum^[23].
• The Concert's inventory number is recorded as P21w27^[24].
• The Concert's Commons category is recorded as The Concert by Johannes Vermeer^[25].
• The Concert's catalog code is recorded as 29^[26].
• The Concert's catalog code is recorded as 31^[27].

Body

Authorship and Creation

The Concert is the creator of Johannes Vermeer^[3].

Publication

The Concert's genre is genre art^[10].

Subject and Themes

The Concert is associated with the Dutch Golden Age painting movement^[9].

Material and Period

Recorded made from material include oil paint^[21] and canvas^[22].

Why It Matters

The Concert has Wikipedia articles in 16 language editions, a strong signal of global cultural recognition.^[2] It is known by 3 alternative names across languages and contexts.^[28]