The Blue Boy
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The Blue Boy
Summary
The Blue Boy is a painting[1]. It ranks in the top 1% of painting entities by monthly Wikipedia readership (759 views/month).[2]
Key Facts
- The Blue Boy is the creator of Thomas Gainsborough[3].
- The Blue Boy is located in San Marino[4].
- The Blue Boy is in the country of United States[5].
- The Blue Boy's image is recorded as Thomas Gainsborough - The Blue Boy (c. 1770).jpg[6].
- The Blue Boy's instance of is recorded as painting[7].
- The Blue Boy's owned by is recorded as The Huntington Library, Art Museum, and Botanical Gardens[8].
- The Blue Boy's movement is recorded as Romanticism[9].
- The Blue Boy's genre is recorded as portrait[10].
- The Blue Boy's depicts is recorded as boy[11].
- The Blue Boy's depicts is recorded as breeches[12].
- The Blue Boy's depicts is recorded as doublet[13].
- The Blue Boy's depicts is recorded as collar[14].
- The Blue Boy's depicts is recorded as satin[15].
- The Blue Boy's depicts is recorded as tree[16].
- The Blue Boy's depicts is recorded as hat[17].
- The Blue Boy's depicts is recorded as feather[18].
- The Blue Boy's depicts is recorded as shoe[19].
- The Blue Boy's depicts is recorded as ribbon[20].
- The Blue Boy's depicts is recorded as Jonathan Buttall[21].
- The Blue Boy's made from material is recorded as oil paint[22].
- The Blue Boy's made from material is recorded as canvas[23].
- The Blue Boy's collection is recorded as The Huntington Library, Art Museum, and Botanical Gardens[24].
- The Blue Boy's VIAF cluster ID is recorded as 179144776[25].
- The Blue Boy's inventory number is recorded as 21.1[26].
- The Blue Boy's GND ID is recorded as 4631702-8[27].
Body
Works and Contributions
The Blue Boy is the creator of Thomas Gainsborough[3].
Why It Matters
The Blue Boy ranks in the top 1% of painting entities by monthly Wikipedia readership (759 views/month).[2] It has Wikipedia articles in 18 language editions, a strong signal of global cultural recognition.[28] It is known by 10 alternative names across languages and contexts.[29]