Taghribat Bani Hilal
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Taghribat Bani Hilal
Summary
Taghribat Bani Hilal is a literary work[1]. It ranks in the top 4% of literary_work entities by monthly Wikipedia readership (27 views/month).[2]
Key Facts
- Taghribat Bani Hilal's instance of is recorded as literary work[3].
- Taghribat Bani Hilal's genre is recorded as epic poem[4].
- Taghribat Bani Hilal's VIAF cluster ID is recorded as 177468034[5].
- Taghribat Bani Hilal's country of origin is recorded as Najd[6].
- Taghribat Bani Hilal's has edition or translation is recorded as The Stealing of the Mare[7].
- Taghribat Bani Hilal's described at URL is recorded as https://ich.unesco.org/en/RL/00075[8].
- Taghribat Bani Hilal's described at URL is recorded as https://ich.unesco.org/fr/RL/00075[9].
- Taghribat Bani Hilal's described at URL is recorded as https://ich.unesco.org/es/RL/00075[10].
- Taghribat Bani Hilal's Google Knowledge Graph ID is recorded as /g/1hh_rmsw5[11].
- Taghribat Bani Hilal's Google Knowledge Graph ID is recorded as /g/11h1j324cv[12].
- Taghribat Bani Hilal's intangible cultural heritage status is recorded as Representative List of the Intangible Cultural Heritage of Humanity[13].
- Taghribat Bani Hilal's intangible cultural heritage status is recorded as Masterpieces of the Oral and Intangible Heritage of Humanity[14].
- Taghribat Bani Hilal's maintained by WikiProject is recorded as WikiProject Intangible Cultural Heritage[15].
- Taghribat Bani Hilal's TDV Encyclopedia of Islam ID is recorded as siretu-beni-hilal[16].
- Taghribat Bani Hilal's form of creative work is recorded as poem[17].
- Taghribat Bani Hilal's National Library of Israel J9U ID is recorded as 987007263927005171[18].
- Taghribat Bani Hilal's UNESCO ICH ID is recorded as RL/00075[19].
Why It Matters
Taghribat Bani Hilal ranks in the top 4% of literary_work entities by monthly Wikipedia readership (27 views/month).[2] It has Wikipedia articles in 10 language editions, a strong signal of global cultural recognition.[20] It is known by 6 alternative names across languages and contexts.[21]