St. James Infirmary Blues
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St. James Infirmary Blues
Summary
St. James Infirmary Blues is a musical work/composition[1]. It ranks in the top 3% of musical_work_composition entities by monthly Wikipedia readership (947 views/month).[2]
Key Facts
- St. James Infirmary Blues's instance of is recorded as musical work/composition[3].
- St. James Infirmary Blues's composer is recorded as DP[4].
- Among the performers on St. James Infirmary Blues was Louis Armstrong[5].
- St. James Infirmary Blues's Commons category is recorded as St. James Infirmary[6].
- St. James Infirmary Blues's language of work or name is recorded as English[7].
- St. James Infirmary Blues was released on 1928[8].
- St. James Infirmary Blues's lyricist is recorded as Irving Mills[9].
- St. James Infirmary Blues's title is recorded as {'lang': 'en', 'text': 'St. James Infirmary'}[10].
- St. James Infirmary Blues's has characteristic is recorded as arrangement on a work of the public domain[11].
- St. James Infirmary Blues's has lyrics is recorded as The Unfortunate Lad[12].
- St. James Infirmary Blues's form of creative work is recorded as song[13].
Product Details
The following facts are restated verbatim from public-domain and CC0 open-data sources — every line is independently verifiable against the named source's catalog.
MusicBrainz — CC0 open music encyclopedia
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Release type: Song[14]
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Genre(s): folk, punk, ragtime, rock[15]
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Community tags: folk, punk, ragtime, rock[16]
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MusicBrainz ID: 2c92a868-ae5d-3fb1-b98f-371f7fedac77[17]
Body
Authorship and Creation
Among the performers on St. James Infirmary Blues was Louis Armstrong[5].
Publication
St. James Infirmary Blues was published on 1928[8]. Its language of work or name is recorded as English[7].
Why It Matters
St. James Infirmary Blues ranks in the top 3% of musical_work_composition entities by monthly Wikipedia readership (947 views/month).[2] It has Wikipedia articles in 11 language editions, a strong signal of global cultural recognition.[18] It is known by 3 alternative names across languages and contexts.[19]