Sixteen Waltzes, Op. 39
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Sixteen Waltzes, Op. 39
Summary
Sixteen Waltzes, Op. 39 is a musical work/composition[1]. It ranks in the top 5% of musical_work_composition entities by monthly Wikipedia readership (128 views/month).[2]
Key Facts
- Sixteen Waltzes, Op. 39's instance of is recorded as musical work/composition[3].
- Sixteen Waltzes, Op. 39's composer is recorded as Johannes Brahms[4].
- Sixteen Waltzes, Op. 39's Commons category is recorded as 16 Waltzes (Brahms)[5].
- 1865 marks the founding of Sixteen Waltzes, Op. 39[6].
- Sixteen Waltzes, Op. 39 was released on 1866[7].
- Sixteen Waltzes, Op. 39's instrumentation is recorded as piano[8].
- Sixteen Waltzes, Op. 39's instrumentation is recorded as piano four hands[9].
- Sixteen Waltzes, Op. 39's instrumentation is recorded as piano[10].
- Sixteen Waltzes, Op. 39's title is recorded as {'lang': 'de', 'text': '16 Walzer, op. 39'}[11].
- Sixteen Waltzes, Op. 39's number of parts of this work is recorded as {'unit': 'Q1464124', 'amount': '+16'}[12].
- Sixteen Waltzes, Op. 39's has part is recorded as concert waltz[13].
- Sixteen Waltzes, Op. 39's copyright status is recorded as public domain[14].
- Sixteen Waltzes, Op. 39's form of creative work is recorded as piano duet[15].
- Sixteen Waltzes, Op. 39's form of creative work is recorded as piano cycle[16].
- Sixteen Waltzes, Op. 39's opus number is recorded as 39[17].
Product Details
The following facts are restated verbatim from public-domain and CC0 open-data sources — every line is independently verifiable against the named source's catalog.
MusicBrainz — CC0 open music encyclopedia
- MusicBrainz ID: 06780369-eaa0-39cb-84ad-fe51fe2e3153[18]
Body
Publication
Sixteen Waltzes, Op. 39 was released on 1866[7].
Why It Matters
Sixteen Waltzes, Op. 39 ranks in the top 5% of musical_work_composition entities by monthly Wikipedia readership (128 views/month).[2] It has Wikipedia articles in 7 language editions, a strong signal of global cultural recognition.[19] It is known by 4 alternative names across languages and contexts.[20]