Rondo in E-flat major op. 16
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Rondo in E-flat major op. 16
Summary
Rondo in E-flat major op. 16 is a musical work/composition[1]. It ranks in the top 5% of musical_work_composition entities by monthly Wikipedia readership (14 views/month).[2]
Key Facts
- Rondo in E-flat major op. 16's instance of is recorded as musical work/composition[3].
- Rondo in E-flat major op. 16's composer is recorded as Frédéric Chopin[4].
- Rondo in E-flat major op. 16's genre is rondo[5].
- Rondo in E-flat major op. 16 is part of Rondos[6].
- Rondo in E-flat major op. 16's catalog code is recorded as B 76[7].
- Rondo in E-flat major op. 16's catalog code is recorded as C 195[8].
- 1832 marks the founding of Rondo in E-flat major op. 16[9].
- Rondo in E-flat major op. 16 was released on January 1834[10].
- Rondo in E-flat major op. 16's tonality is recorded as E-flat major[11].
- Rondo in E-flat major op. 16's instrumentation is recorded as piano[12].
- Rondo in E-flat major op. 16's title is recorded as {'lang': 'fr', 'text': 'Rondo, en mi bémol majeur, pour piano'}[13].
- Rondo in E-flat major op. 16's on focus list of Wikimedia project is recorded as WikiProject Chopin Thematic Catalog Concordance[14].
- Rondo in E-flat major op. 16's copyright status is recorded as public domain[15].
- Rondo in E-flat major op. 16's form of creative work is recorded as rondo[16].
- Rondo in E-flat major op. 16's opus number is recorded as 16[17].
Product Details
The following facts are restated verbatim from public-domain and CC0 open-data sources — every line is independently verifiable against the named source's catalog.
MusicBrainz — CC0 open music encyclopedia
- MusicBrainz ID: eb008df7-0a70-443b-bfee-fa5505b24386[18]
Body
Publication
Rondo in E-flat major op. 16 was released on January 1834[10]. Its genre is rondo[5]. It is part of Rondos[6].
Why It Matters
Rondo in E-flat major op. 16 ranks in the top 5% of musical_work_composition entities by monthly Wikipedia readership (14 views/month).[2] It is known by 7 alternative names across languages and contexts.[19]