Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond
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Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond
Summary
Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond is a painting[1]. It ranks in the top 6% of painting entities by monthly Wikipedia readership (8 views/month).[2]
Key Facts
- Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond is the creator of Thomas Lawrence[3].
- Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond's image is recorded as Lady Selina Meade.jpeg[4].
- Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond's instance of is recorded as painting[5].
- Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond's genre is recorded as portrait[6].
- Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond's depicts is recorded as Selina, Countess Clam-Martinic[7].
- Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond's made from material is recorded as oil paint[8].
- Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond's made from material is recorded as canvas[9].
- Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond's country of origin is recorded as Austrian Empire[10].
- +1819-04-00T00:00:00Z marks the founding of Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond[11].
- Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond's exhibition history is recorded as Royal Academy Exhibition of 1820[12].
- Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond's exhibition history is recorded as Thomas Lawrence - Regency, Power and Brilliance[13].
- Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond's exhibition history is recorded as Thomas Lawrence - Regency, Power and Brilliance[14].
- Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond's main subject is recorded as Selina, Countess Clam-Martinic[15].
- Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond's location of creation is recorded as Vienna[16].
- Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond's height is recorded as {'unit': 'http://www.wikidata.org/entity/Q174728', 'amount': '+76'}[17].
- Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond's width is recorded as {'unit': 'http://www.wikidata.org/entity/Q174728', 'amount': '+62'}[18].
- Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond's Christie's object ID is recorded as 6182772[19].
- Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond's copyright status is recorded as public domain[20].
Body
Works and Contributions
Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond is the creator of Thomas Lawrence[3].
Why It Matters
Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond ranks in the top 6% of painting entities by monthly Wikipedia readership (8 views/month).[2]