Playing Standards: Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians

Summary

Playing Standards: Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians is a doctoral thesis^[1].

Key Facts

• Playing Standards: Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians authored Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians — author (P50): Leah Pogwizd^[2].
• Playing Standards: Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians's instance of is recorded as Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians — instance of (P31): doctoral thesis^[3].
• Playing Standards: Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians's OCLC number is recorded as 936727300^[4].
• Playing Standards: Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians's language of work or name is recorded as Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians — language of work or name (P407): English^[5].
• +2015-01-01T00:00:00Z marks the founding of Playing Standards: Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians^[6].
• Playing Standards: Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians's work available at URL is recorded as http://hdl.handle.net/1773/34088^[7].
• Playing Standards: Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians's number of pages is recorded as {'unit': 'http://www.wikidata.org/entity/Q56761382', 'amount': '+10'}^[8].
• Playing Standards: Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians's number of pages is recorded as {'unit': 'http://www.wikidata.org/entity/Q1069725', 'amount': '+258'}^[9].
• Playing Standards: Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians's Handle ID is recorded as 1773/34088^[10].
• Playing Standards: Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians's title is recorded as Playing Standards^[11].
• Playing Standards: Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians's subtitle is recorded as Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians^[12].
• Playing Standards: Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians's thesis submitted to is recorded as Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians — thesis submitted to (P4101): University of Washington^[13].
• Playing Standards: Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians's on focus list of Wikimedia project is recorded as Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians — on focus list of Wikimedia project (P5008): WikiProject PCC Wikidata Pilot/University of Washington^[14].
• Playing Standards: Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians's thesis committee member is recorded as Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians — thesis committee member (P9161): Christina Sunardi^[15].

Body

Designation and Status

Playing Standards: Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians's instance of is recorded as Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians — instance of (P31): doctoral thesis^[3].

History and Context

+2015-01-01T00:00:00Z marks the founding of Playing Standards: Authenticity, Evaluation, and Agency Among Seattle Jazz Musicians^[6].