Piano Sonata No. 4
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Piano Sonata No. 4
Summary
Piano Sonata No. 4 is a musical work/composition[1]. It ranks in the top 5% of musical_work_composition entities by monthly Wikipedia readership (132 views/month).[2]
Key Facts
- Piano Sonata No. 4's instance of is recorded as musical work/composition[3].
- Piano Sonata No. 4's composer is recorded as Alexander Scriabin[4].
- Piano Sonata No. 4's genre is sonata[5].
- Piano Sonata No. 4's part of the series is recorded as piano sonatas by Alexander Scriabin[6].
- 1903 marks the founding of Piano Sonata No. 4[7].
- Piano Sonata No. 4 was released on 1904[8].
- Piano Sonata No. 4's tonality is recorded as F-sharp major[9].
- Piano Sonata No. 4's instrumentation is recorded as piano[10].
- Piano Sonata No. 4's duration is recorded as {'unit': 'Q7727', 'amount': '+8'}[11].
- Piano Sonata No. 4's author name string is recorded as Scriabin[12].
- Piano Sonata No. 4's copyright status is recorded as public domain[13].
- Piano Sonata No. 4's form of creative work is recorded as piano sonata[14].
- Piano Sonata No. 4's opus number is recorded as 30[15].
Product Details
The following facts are restated verbatim from public-domain and CC0 open-data sources — every line is independently verifiable against the named source's catalog.
MusicBrainz — CC0 open music encyclopedia
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Release type: Sonata[16]
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Genre(s): classical[17]
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Community tags: classical, keyboard[18]
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MusicBrainz ID: 083a476b-1330-4b60-82b1-c391ffa3248f[19]
Body
Publication
Piano Sonata No. 4 was released on 1904[8]. Its genre is sonata[5]. Its part of the series is recorded as piano sonatas by Alexander Scriabin[6].
Subject and Themes
Piano Sonata No. 4's part of the series is recorded as piano sonatas by Alexander Scriabin[6].
Why It Matters
Piano Sonata No. 4 ranks in the top 5% of musical_work_composition entities by monthly Wikipedia readership (132 views/month).[2] It has Wikipedia articles in 8 language editions, a strong signal of global cultural recognition.[20] It is known by 3 alternative names across languages and contexts.[21]