Pākehā Practice: Music and National Identity in Postcolonial Aotearoa/New Zealand

Summary

Pākehā Practice: Music and National Identity in Postcolonial Aotearoa/New Zealand is a master's thesis^[1].

Key Facts

• Pākehā Practice: Music and National Identity in Postcolonial Aotearoa/New Zealand authored Music and National Identity in Postcolonial Aotearoa/New Zealand — author (P50): Liam Prince^[2].
• Pākehā Practice: Music and National Identity in Postcolonial Aotearoa/New Zealand's instance of is recorded as Music and National Identity in Postcolonial Aotearoa/New Zealand — instance of (P31): master's thesis^[3].
• Pākehā Practice: Music and National Identity in Postcolonial Aotearoa/New Zealand's publisher is recorded as Music and National Identity in Postcolonial Aotearoa/New Zealand — publisher (P123): Open Access Repository Victoria University of Wellington^[4].
• Pākehā Practice: Music and National Identity in Postcolonial Aotearoa/New Zealand's DOI is recorded as 10.26686/WGTN.17062106^[5].
• Pākehā Practice: Music and National Identity in Postcolonial Aotearoa/New Zealand's language of work or name is recorded as Music and National Identity in Postcolonial Aotearoa/New Zealand — language of work or name (P407): English^[6].
• Pākehā Practice: Music and National Identity in Postcolonial Aotearoa/New Zealand's country of origin is recorded as Music and National Identity in Postcolonial Aotearoa/New Zealand — country of origin (P495): New Zealand^[7].
• Pākehā Practice: Music and National Identity in Postcolonial Aotearoa/New Zealand's publication date is recorded as +2017-01-01T00:00:00Z^[8].
• Pākehā Practice: Music and National Identity in Postcolonial Aotearoa/New Zealand's main subject is recorded as Music and National Identity in Postcolonial Aotearoa/New Zealand — main subject (P921): biculturalism^[9].
• Pākehā Practice: Music and National Identity in Postcolonial Aotearoa/New Zealand's main subject is recorded as Music and National Identity in Postcolonial Aotearoa/New Zealand — main subject (P921): music^[10].
• Pākehā Practice: Music and National Identity in Postcolonial Aotearoa/New Zealand's main subject is recorded as Music and National Identity in Postcolonial Aotearoa/New Zealand — main subject (P921): nationalism^[11].
• Pākehā Practice: Music and National Identity in Postcolonial Aotearoa/New Zealand's main subject is recorded as Music and National Identity in Postcolonial Aotearoa/New Zealand — main subject (P921): postcolonialism^[12].
• Pākehā Practice: Music and National Identity in Postcolonial Aotearoa/New Zealand's title is recorded as Pākehā Practice: Music and National Identity in Postcolonial Aotearoa/New Zealand^[13].
• Pākehā Practice: Music and National Identity in Postcolonial Aotearoa/New Zealand's copyright holder is recorded as Music and National Identity in Postcolonial Aotearoa/New Zealand — copyright holder (P3931): Liam Prince^[14].
• Pākehā Practice: Music and National Identity in Postcolonial Aotearoa/New Zealand's thesis submitted to is recorded as Music and National Identity in Postcolonial Aotearoa/New Zealand — thesis submitted to (P4101): Victoria University of Wellington^[15].
• Pākehā Practice: Music and National Identity in Postcolonial Aotearoa/New Zealand's on focus list of Wikimedia project is recorded as Music and National Identity in Postcolonial Aotearoa/New Zealand — on focus list of Wikimedia project (P5008): NZThesisProject^[16].
• Pākehā Practice: Music and National Identity in Postcolonial Aotearoa/New Zealand's copyright status is recorded as Music and National Identity in Postcolonial Aotearoa/New Zealand — copyright status (P6216): copyrighted^[17].
• Pākehā Practice: Music and National Identity in Postcolonial Aotearoa/New Zealand's thesis committee member is recorded as Music and National Identity in Postcolonial Aotearoa/New Zealand — thesis committee member (P9161): Kimberly Cannady^[18].
• Pākehā Practice: Music and National Identity in Postcolonial Aotearoa/New Zealand's thesis committee member is recorded as Music and National Identity in Postcolonial Aotearoa/New Zealand — thesis committee member (P9161): Robert Legg^[19].

Body

Designation and Status

Pākehā Practice: Music and National Identity in Postcolonial Aotearoa/New Zealand's instance of is recorded as Music and National Identity in Postcolonial Aotearoa/New Zealand — instance of (P31): master's thesis^[3].