Outcasts and Orchestrators: Finding Indigeneity in Contemporary Aotearoa Punk Culture

Summary

Outcasts and Orchestrators: Finding Indigeneity in Contemporary Aotearoa Punk Culture is a master's thesis^[1].

Key Facts

• Outcasts and Orchestrators: Finding Indigeneity in Contemporary Aotearoa Punk Culture authored Finding Indigeneity in Contemporary Aotearoa Punk Culture — author (P50): Sarsha‐Leigh Douglas^[2].
• Outcasts and Orchestrators: Finding Indigeneity in Contemporary Aotearoa Punk Culture's instance of is recorded as Finding Indigeneity in Contemporary Aotearoa Punk Culture — instance of (P31): master's thesis^[3].
• Outcasts and Orchestrators: Finding Indigeneity in Contemporary Aotearoa Punk Culture's publisher is recorded as Finding Indigeneity in Contemporary Aotearoa Punk Culture — publisher (P123): Open Access Repository Victoria University of Wellington^[4].
• Outcasts and Orchestrators: Finding Indigeneity in Contemporary Aotearoa Punk Culture's DOI is recorded as 10.26686/WGTN.17008126^[5].
• Outcasts and Orchestrators: Finding Indigeneity in Contemporary Aotearoa Punk Culture's language of work or name is recorded as Finding Indigeneity in Contemporary Aotearoa Punk Culture — language of work or name (P407): English^[6].
• Outcasts and Orchestrators: Finding Indigeneity in Contemporary Aotearoa Punk Culture's country of origin is recorded as Finding Indigeneity in Contemporary Aotearoa Punk Culture — country of origin (P495): New Zealand^[7].
• Outcasts and Orchestrators: Finding Indigeneity in Contemporary Aotearoa Punk Culture's publication date is recorded as +2014-01-01T00:00:00Z^[8].
• Outcasts and Orchestrators: Finding Indigeneity in Contemporary Aotearoa Punk Culture's main subject is recorded as Finding Indigeneity in Contemporary Aotearoa Punk Culture — main subject (P921): indigenous^[9].
• Outcasts and Orchestrators: Finding Indigeneity in Contemporary Aotearoa Punk Culture's main subject is recorded as Finding Indigeneity in Contemporary Aotearoa Punk Culture — main subject (P921): New Zealand^[10].
• Outcasts and Orchestrators: Finding Indigeneity in Contemporary Aotearoa Punk Culture's title is recorded as Outcasts and Orchestrators: Finding Indigeneity in Contemporary Aotearoa Punk Culture^[11].
• Outcasts and Orchestrators: Finding Indigeneity in Contemporary Aotearoa Punk Culture's copyright holder is recorded as Finding Indigeneity in Contemporary Aotearoa Punk Culture — copyright holder (P3931): Sarsha‐Leigh Douglas^[12].
• Outcasts and Orchestrators: Finding Indigeneity in Contemporary Aotearoa Punk Culture's thesis submitted to is recorded as Finding Indigeneity in Contemporary Aotearoa Punk Culture — thesis submitted to (P4101): Victoria University of Wellington^[13].
• Outcasts and Orchestrators: Finding Indigeneity in Contemporary Aotearoa Punk Culture's on focus list of Wikimedia project is recorded as Finding Indigeneity in Contemporary Aotearoa Punk Culture — on focus list of Wikimedia project (P5008): NZThesisProject^[14].
• Outcasts and Orchestrators: Finding Indigeneity in Contemporary Aotearoa Punk Culture's copyright status is recorded as Finding Indigeneity in Contemporary Aotearoa Punk Culture — copyright status (P6216): copyrighted^[15].
• Outcasts and Orchestrators: Finding Indigeneity in Contemporary Aotearoa Punk Culture's thesis committee member is recorded as Finding Indigeneity in Contemporary Aotearoa Punk Culture — thesis committee member (P9161): Maria Bargh^[16].
• Outcasts and Orchestrators: Finding Indigeneity in Contemporary Aotearoa Punk Culture's thesis committee member is recorded as Finding Indigeneity in Contemporary Aotearoa Punk Culture — thesis committee member (P9161): Ocean Mercier^[17].

Body

Designation and Status

Outcasts and Orchestrators: Finding Indigeneity in Contemporary Aotearoa Punk Culture's instance of is recorded as Finding Indigeneity in Contemporary Aotearoa Punk Culture — instance of (P31): master's thesis^[3].