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Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene

doctoral thesis by James Byron Morford, 2017
Place doctoral_thesis Q107013557
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Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene

Summary

Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene is a doctoral thesis[1].

Key Facts

  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene authored Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene — author (P50): James B. Morford[2].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene authored Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene — author (P50): James B. Morford[3].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene's instance of is recorded as Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene — instance of (P31): doctoral thesis[4].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene's instance of is recorded as Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene — instance of (P31): written work[5].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene's OCLC number is recorded as 1037278222[6].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene's language of work or name is recorded as Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene — language of work or name (P407): English[7].
  • +2017-01-01T00:00:00Z marks the founding of Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene[8].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene's main subject is recorded as Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene — main subject (P921): dance[9].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene's main subject is recorded as Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene — main subject (P921): tourism[10].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene's main subject is recorded as Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene — main subject (P921): social history[11].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene's main subject is recorded as Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene — main subject (P921): social history[12].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene's main subject is recorded as Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene — main subject (P921): human sexuality[13].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene's main subject is recorded as Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene — main subject (P921): anthropology[14].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene's work available at URL is recorded as http://hdl.handle.net/1773/40946[15].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene's number of pages is recorded as {'unit': 'http://www.wikidata.org/entity/Q56761382', 'amount': '+11'}[16].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene's number of pages is recorded as {'unit': 'http://www.wikidata.org/entity/Q1069725', 'amount': '+269'}[17].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene's Handle ID is recorded as 1773/40946[18].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene's title is recorded as Moving Together[19].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene's subtitle is recorded as Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene[20].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene's subtitle is recorded as Sameness, Difference, and Ownership in the Seattle-guinean Drum and Dance Scene[21].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene's thesis submitted to is recorded as Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene — thesis submitted to (P4101): University of Washington[22].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene's on focus list of Wikimedia project is recorded as Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene — on focus list of Wikimedia project (P5008): WikiProject PCC Wikidata Pilot/University of Washington[23].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene's thesis committee member is recorded as Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene — thesis committee member (P9161): Shannon Dudley[24].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene's thesis committee member is recorded as Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene — thesis committee member (P9161): Patricia Shehan Campbell[25].
  • Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene's thesis committee member is recorded as Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene — thesis committee member (P9161): Christina Sunardi[26].

Body

Designation and Status

Recorded instance of include Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene — instance of (P31): doctoral thesis[4] and Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene — instance of (P31): written work[5].

History and Context

+2017-01-01T00:00:00Z marks the founding of Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene[8].

References

Programmatic citations — every numbered marker resolves to a verifiable graph row below.

Direct Wikidata claims

  1. [4] ↑ . WorldCat. wikidata.org.
  2. [5] ↑ . wikidata.org.
  3. [2] ↑ . wikidata.org.
  4. [3] ↑ . wikidata.org.
  5. [6] ↑ . wikidata.org.
  6. [7] ↑ . WorldCat. wikidata.org.
  7. [8] ↑ . WorldCat. wikidata.org.
  8. [9] ↑ . wikidata.org.
  9. [10] ↑ . wikidata.org.
  10. [11] ↑ . wikidata.org.
  11. [12] ↑ . wikidata.org.
  12. [13] ↑ . wikidata.org.
  13. [14] ↑ . wikidata.org.
  14. [15] ↑ . WorldCat. wikidata.org.
  15. [16] ↑ . WorldCat. wikidata.org.
  16. [17] ↑ . WorldCat. wikidata.org.
  17. [18] ↑ . wikidata.org.
  18. [19] ↑ . wikidata.org.
  19. [20] ↑ . wikidata.org.
  20. [21] ↑ . wikidata.org.
  21. [22] ↑ . WorldCat. wikidata.org.
  22. [23] ↑ . wikidata.org.
  23. [24] ↑ . WorldCat. wikidata.org.
  24. [25] ↑ . hdl.handle.net. Retrieved . hdl.handle.net. Provenance: wikidata.org.
  25. [26] ↑ . hdl.handle.net. Retrieved . hdl.handle.net. Provenance: wikidata.org.

Class ancestry

  1. [1] ↑ . Wikidata. wikidata.org.

📑 Cite this page

Use these citations when quoting this entity in research, articles, AI prompts, or wherever provenance matters. We aggregate Wikidata + Wikipedia + authoritative open-data sources; the stitched, scored, cross-referenced view is what 4ort.xyz contributes.

APA 4ort.xyz Knowledge Graph. (2026). Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene. Retrieved May 3, 2026, from https://4ort.xyz/entity/moving-together-sameness-difference-and-ownership-in-the-seattle-guinean-drum-and-dance-scene
MLA “Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene.” 4ort.xyz Knowledge Graph, 4ort.xyz, 3 May. 2026, https://4ort.xyz/entity/moving-together-sameness-difference-and-ownership-in-the-seattle-guinean-drum-and-dance-scene.
BibTeX @misc{4ortxyz_moving-together-sameness-difference-and-ownership-in-the-seattle-guinean-drum-and-dance-scene_2026, author = {{4ort.xyz Knowledge Graph}}, title = {{Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene}}, year = {2026}, url = {https://4ort.xyz/entity/moving-together-sameness-difference-and-ownership-in-the-seattle-guinean-drum-and-dance-scene}, note = {Accessed: 2026-05-03}}
LLM prompt According to 4ort.xyz Knowledge Graph (aggregator of Wikidata, Wikipedia, and authoritative open-data sources): Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene — https://4ort.xyz/entity/moving-together-sameness-difference-and-ownership-in-the-seattle-guinean-drum-and-dance-scene (retrieved 2026-05-03)

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