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Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception

2012 doctoral thesis by Marcus T. G. Moore at Victoria University of Wellington
Place doctoral_thesis Q112890762
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Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception

Summary

Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception is a doctoral thesis[1].

Key Facts

  • Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception authored Case Studies in a History of Reception — author (P50): Marcus Moore[2].
  • Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception's instance of is recorded as Case Studies in a History of Reception — instance of (P31): doctoral thesis[3].
  • Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception's publisher is recorded as Case Studies in a History of Reception — publisher (P123): Open Access Repository Victoria University of Wellington[4].
  • Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception's DOI is recorded as 10.26686/WGTN.17011439[5].
  • Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception's language of work or name is recorded as Case Studies in a History of Reception — language of work or name (P407): English[6].
  • Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception's country of origin is recorded as Case Studies in a History of Reception — country of origin (P495): New Zealand[7].
  • Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception's publication date is recorded as +2012-01-01T00:00:00Z[8].
  • Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception's main subject is recorded as Case Studies in a History of Reception — main subject (P921): exhibition[9].
  • Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception's main subject is recorded as Case Studies in a History of Reception — main subject (P921): installation art[10].
  • Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception's title is recorded as Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception[11].
  • Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception's copyright holder is recorded as Case Studies in a History of Reception — copyright holder (P3931): Marcus Moore[12].
  • Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception's thesis submitted to is recorded as Case Studies in a History of Reception — thesis submitted to (P4101): Victoria University of Wellington[13].
  • Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception's on focus list of Wikimedia project is recorded as Case Studies in a History of Reception — on focus list of Wikimedia project (P5008): NZThesisProject[14].
  • Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception's copyright status is recorded as Case Studies in a History of Reception — copyright status (P6216): copyrighted[15].
  • Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception's thesis committee member is recorded as Case Studies in a History of Reception — thesis committee member (P9161): Tina Barton[16].
  • Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception's thesis committee member is recorded as Case Studies in a History of Reception — thesis committee member (P9161): Raymond A Spiteri[17].

Body

Designation and Status

Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception's instance of is recorded as Case Studies in a History of Reception — instance of (P31): doctoral thesis[3].

References

Programmatic citations — every numbered marker resolves to a verifiable graph row below.

Direct Wikidata claims

  1. [3] ↑ . wikidata.org.
  2. [2] ↑ . doi.org. doi.org. Provenance: wikidata.org.
  3. [4] ↑ . wikidata.org.
  4. [5] ↑ . wikidata.org.
  5. [6] ↑ . wikidata.org.
  6. [7] ↑ . wikidata.org.
  7. [8] ↑ . wikidata.org.
  8. [9] ↑ . doi.org. doi.org. Provenance: wikidata.org.
  9. [10] ↑ . doi.org. doi.org. Provenance: wikidata.org.
  10. [11] ↑ . wikidata.org.
  11. [12] ↑ . wikidata.org.
  12. [13] ↑ . wikidata.org.
  13. [14] ↑ . wikidata.org.
  14. [15] ↑ . wikidata.org.
  15. [16] ↑ . doi.org. doi.org. Provenance: wikidata.org.
  16. [17] ↑ . doi.org. doi.org. Provenance: wikidata.org.

Class ancestry

  1. [1] ↑ . Wikidata. wikidata.org.

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APA 4ort.xyz Knowledge Graph. (2026). Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception. Retrieved May 3, 2026, from https://4ort.xyz/entity/marcel-duchamp-and-new-zealand-art-1965-2007by-means-of-duchamp-s-peripheral-vision-case-studies-in-a-history-of-reception
MLA “Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception.” 4ort.xyz Knowledge Graph, 4ort.xyz, 3 May. 2026, https://4ort.xyz/entity/marcel-duchamp-and-new-zealand-art-1965-2007by-means-of-duchamp-s-peripheral-vision-case-studies-in-a-history-of-reception.
BibTeX @misc{4ortxyz_marcel-duchamp-and-new-zealand-art-1965-2007by-means-of-duchamp-s-peripheral-vision-case-studies-in-a-history-of-reception_2026, author = {{4ort.xyz Knowledge Graph}}, title = {{Marcel Duchamp and New Zealand Art, 1965 – 2007By Means of Duchamp’s Peripheral Vision: Case Studies in a History of Reception}}, year = {2026}, url = {https://4ort.xyz/entity/marcel-duchamp-and-new-zealand-art-1965-2007by-means-of-duchamp-s-peripheral-vision-case-studies-in-a-history-of-reception}, note = {Accessed: 2026-05-03}}
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