Invitation to the Dance
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Invitation to the Dance
Summary
Invitation to the Dance is a musical work/composition[1]. It ranks in the top 5% of musical_work_composition entities by monthly Wikipedia readership (104 views/month).[2]
Key Facts
- Invitation to the Dance's instance of is recorded as musical work/composition[3].
- Invitation to the Dance's composer is recorded as Carl Maria von Weber[4].
- Invitation to the Dance's genre is piano piece in one movement[5].
- Invitation to the Dance's Commons category is recorded as Invitation to the Dance[6].
- Invitation to the Dance's catalog code is recorded as 260[7].
- 1819 marks the founding of Invitation to the Dance[8].
- Invitation to the Dance's dedicated to is recorded as Caroline Weber[9].
- Invitation to the Dance's tonality is recorded as D-flat major[10].
- Invitation to the Dance's instrumentation is recorded as piano[11].
- Invitation to the Dance's title is recorded as {'lang': 'de', 'text': 'Aufforderung zum Tanz'}[12].
- Invitation to the Dance's subtitle is recorded as {'lang': 'de', 'text': 'Rondo brillant für das Pianoforte'}[13].
- Invitation to the Dance's different from is recorded as Q9387031[14].
- Invitation to the Dance's form of creative work is recorded as rondo[15].
- Invitation to the Dance's opus number is recorded as 65[16].
Product Details
The following facts are restated verbatim from public-domain and CC0 open-data sources — every line is independently verifiable against the named source's catalog.
MusicBrainz — CC0 open music encyclopedia
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Genre(s): classical[17]
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Community tags: classical, keyboard[18]
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MusicBrainz ID: 6a2d11f1-b484-4aad-880a-d02c8463a264[19]
Body
Publication
Invitation to the Dance's genre is piano piece in one movement[5].
Why It Matters
Invitation to the Dance ranks in the top 5% of musical_work_composition entities by monthly Wikipedia readership (104 views/month).[2] It has Wikipedia articles in 8 language editions, a strong signal of global cultural recognition.[20] It is known by 9 alternative names across languages and contexts.[21]