Inquest
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Inquest
Summary
Inquest is a film[1]. Inquest ranks in the top 4% of film entities by monthly Wikipedia readership (86 views/month).[2]
Key Facts
- Inquest's instance of is recorded as film[3].
- Inquest was directed by Robert Siodmak[4].
- Max Alsberg wrote the screenplay for Inquest[5].
- Inquest's genre is crime film[6].
- Inquest's genre is drama film[7].
- A cast member of Inquest was Albert Bassermann[8].
- A cast member of Inquest was Gustav Fröhlich[9].
- A cast member of Inquest was Hans Brausewetter[10].
- A cast member of Inquest was Charlotte Ander[11].
- A cast member of Inquest was Annie Markart[12].
- A cast member of Inquest was Edith Meinhard[13].
- A cast member of Inquest was Oskar Sima[14].
- A cast member of Inquest was Julius Falkenstein[15].
- A cast member of Inquest was Heinrich Gretler[16].
- A cast member of Inquest was Hermann Speelmans[17].
- A cast member of Inquest was Jakob Tiedtke[18].
- A cast member of Inquest was Gerhard Bienert[19].
- A cast member of Inquest was Emilia Unda[20].
- Inquest was produced by Erich Pommer[21].
- Inquest's director of photography is recorded as Otto Baecker[22].
- The original language of Inquest was German[23].
- Inquest's color is recorded as black-and-white[24].
- Inquest's country of origin is recorded as Weimar Republic[25].
- Inquest's country of origin is recorded as Germany[26].
- Inquest was released on 1931[27].
Body
Authorship and Creation
Inquest was produced by Erich Pommer[21]. Inquest was directed by Robert Siodmak[4]. Max Alsberg wrote the screenplay for Inquest[5]. Cast members include Albert Bassermann[8], Gustav Fröhlich[9], Hans Brausewetter[10], Charlotte Ander[11], Annie Markart[12], and Edith Meinhard[13].
Publication
Inquest was published on 1931[27]. The original language of Inquest was German[23]. Genres include crime film[6] and drama film[7].
Why It Matters
Inquest ranks in the top 4% of film entities by monthly Wikipedia readership (86 views/month).[2] Inquest is known by 6 alternative names across languages and contexts.[28]