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From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice

2019 doctoral thesis by Jenny Wollerman at Victoria University of Wellington
Place doctoral_thesis Q112950880
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From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice

Summary

From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice is a doctoral thesis[1].

Key Facts

  • From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice authored Diva power, vocality, and the mediatisation of the operatic voice — author (P50): Jenny Wollerman[2].
  • From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice's instance of is recorded as Diva power, vocality, and the mediatisation of the operatic voice — instance of (P31): doctoral thesis[3].
  • From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice's publisher is recorded as Diva power, vocality, and the mediatisation of the operatic voice — publisher (P123): Open Access Repository Victoria University of Wellington[4].
  • From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice's DOI is recorded as 10.26686/WGTN.17142317[5].
  • From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice's language of work or name is recorded as Diva power, vocality, and the mediatisation of the operatic voice — language of work or name (P407): English[6].
  • From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice's country of origin is recorded as Diva power, vocality, and the mediatisation of the operatic voice — country of origin (P495): New Zealand[7].
  • From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice's publication date is recorded as +2019-01-01T00:00:00Z[8].
  • From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice's main subject is recorded as Diva power, vocality, and the mediatisation of the operatic voice — main subject (P921): voice[9].
  • From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice's main subject is recorded as Diva power, vocality, and the mediatisation of the operatic voice — main subject (P921): opera[10].
  • From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice's title is recorded as From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice[11].
  • From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice's copyright holder is recorded as Diva power, vocality, and the mediatisation of the operatic voice — copyright holder (P3931): Jenny Wollerman[12].
  • From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice's thesis submitted to is recorded as Diva power, vocality, and the mediatisation of the operatic voice — thesis submitted to (P4101): Victoria University of Wellington[13].
  • From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice's on focus list of Wikimedia project is recorded as Diva power, vocality, and the mediatisation of the operatic voice — on focus list of Wikimedia project (P5008): NZThesisProject[14].
  • From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice's copyright status is recorded as Diva power, vocality, and the mediatisation of the operatic voice — copyright status (P6216): copyrighted[15].
  • From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice's thesis committee member is recorded as Diva power, vocality, and the mediatisation of the operatic voice — thesis committee member (P9161): Inge van Rij[16].
  • From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice's thesis committee member is recorded as Diva power, vocality, and the mediatisation of the operatic voice — thesis committee member (P9161): Kimberly Cannady[17].

Body

Designation and Status

From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice's instance of is recorded as Diva power, vocality, and the mediatisation of the operatic voice — instance of (P31): doctoral thesis[3].

References

Programmatic citations — every numbered marker resolves to a verifiable graph row below.

Direct Wikidata claims

  1. [3] ↑ . wikidata.org.
  2. [2] ↑ . wikidata.org.
  3. [4] ↑ . wikidata.org.
  4. [5] ↑ . wikidata.org.
  5. [6] ↑ . wikidata.org.
  6. [7] ↑ . wikidata.org.
  7. [8] ↑ . wikidata.org.
  8. [9] ↑ . doi.org. doi.org. Provenance: wikidata.org.
  9. [10] ↑ . doi.org. doi.org. Provenance: wikidata.org.
  10. [11] ↑ . wikidata.org.
  11. [12] ↑ . wikidata.org.
  12. [13] ↑ . wikidata.org.
  13. [14] ↑ . wikidata.org.
  14. [15] ↑ . wikidata.org.
  15. [16] ↑ . wikidata.org.
  16. [17] ↑ . wikidata.org.

Class ancestry

  1. [1] ↑ . Wikidata. wikidata.org.

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APA 4ort.xyz Knowledge Graph. (2026). From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice. Retrieved May 3, 2026, from https://4ort.xyz/entity/from-callas-to-netrebko-diva-power-vocality-and-the-mediatisation-of-the-operatic-voice
MLA “From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice.” 4ort.xyz Knowledge Graph, 4ort.xyz, 3 May. 2026, https://4ort.xyz/entity/from-callas-to-netrebko-diva-power-vocality-and-the-mediatisation-of-the-operatic-voice.
BibTeX @misc{4ortxyz_from-callas-to-netrebko-diva-power-vocality-and-the-mediatisation-of-the-operatic-voice_2026, author = {{4ort.xyz Knowledge Graph}}, title = {{From Callas To Netrebko: Diva power, vocality, and the mediatisation of the operatic voice}}, year = {2026}, url = {https://4ort.xyz/entity/from-callas-to-netrebko-diva-power-vocality-and-the-mediatisation-of-the-operatic-voice}, note = {Accessed: 2026-05-03}}
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