Femme Fatale
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Femme Fatale
Summary
Femme Fatale is an album[1]. It ranks in the top 1% of album entities by monthly Wikipedia readership (1,367 views/month).[2]
Key Facts
- Femme Fatale's instance of is recorded as album[3].
- Femme Fatale's genre is pop music[4].
- Femme Fatale's genre is dance-pop[5].
- Femme Fatale's genre is electropop[6].
- Femme Fatale was produced by will.i.am[7].
- Femme Fatale was produced by Dr. Luke[8].
- Femme Fatale was produced by Max Martin[9].
- Femme Fatale was produced by Shellback[10].
- Femme Fatale was performed by Britney Spears[11].
- Femme Fatale's record label is recorded as Jive Records[12].
- Femme Fatale's place of publication is recorded as United States[13].
- Femme Fatale is part of Britney Spears' albums in chronological order[14].
- Femme Fatale's language of work or name is recorded as English[15].
- Femme Fatale was distributed by music streaming[16].
- Femme Fatale was published on March 25, 2011[17].
- Femme Fatale's official website is recorded as http://www.britneyspears.com[18].
- Femme Fatale's title is recorded as {'lang': 'en', 'text': 'Femme Fatale'}[19].
- Femme Fatale's different from is recorded as Femme fatale[20].
- Femme Fatale's form of creative work is recorded as studio album[21].
Body
Authorship and Creation
Femme Fatale was performed by Britney Spears[11]. Producers include will.i.am[7], Dr. Luke[8], Max Martin[9], and Shellback[10].
Publication
Femme Fatale was published on March 25, 2011[17]. Its place of publication is recorded as United States[13]. Its language of work or name is recorded as English[15]. Genres include pop music[4], dance-pop[5], and electropop[6]. It is part of Britney Spears' albums in chronological order[14]. It was distributed by music streaming[16].
Why It Matters
Femme Fatale ranks in the top 1% of album entities by monthly Wikipedia readership (1,367 views/month).[2] It has Wikipedia articles in 28 language editions, a strong signal of global cultural recognition.[22] It is known by 13 alternative names across languages and contexts.[23]