Farmer Giles of Ham
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Farmer Giles of Ham
Summary
Farmer Giles of Ham is a literary work[1]. It ranks in the top 4% of literary_work entities by monthly Wikipedia readership (253 views/month).[2]
Key Facts
- Farmer Giles of Ham authored J. R. R. Tolkien[3].
- Farmer Giles of Ham's instance of is recorded as literary work[4].
- Farmer Giles of Ham's illustrator is recorded as Pauline Baynes[5].
- Farmer Giles of Ham's genre is fairy tale[6].
- Farmer Giles of Ham's genre is fantasy[7].
- Farmer Giles of Ham followed On Fairy-Stories[8].
- Farmer Giles of Ham was followed by The Homecoming of Beorhtnoth Beorhthelm's Son[9].
- Farmer Giles of Ham's language of work or name is recorded as English[10].
- Farmer Giles of Ham's country of origin is recorded as United Kingdom[11].
- 1938 marks the founding of Farmer Giles of Ham[12].
- Farmer Giles of Ham was published on January 1, 1949[13].
- Farmer Giles of Ham's narrative location is recorded as Britannia[14].
- Farmer Giles of Ham's title is recorded as {'lang': 'en', 'text': 'Farmer Giles of Ham'}[15].
- Farmer Giles of Ham's form of creative work is recorded as novella[16].
Product Details
The following facts are restated verbatim from public-domain and CC0 open-data sources — every line is independently verifiable against the named source's catalog.
MusicBrainz — CC0 open music encyclopedia
Body
Authorship and Creation
Farmer Giles of Ham authored J. R. R. Tolkien[3].
Publication
Farmer Giles of Ham was published on January 1, 1949[13]. Its language of work or name is recorded as English[10]. Genres include fairy tale[6] and fantasy[7].
Adaptations and Inspiration
Farmer Giles of Ham followed On Fairy-Stories[8]. It was followed by The Homecoming of Beorhtnoth Beorhthelm's Son[9].
Why It Matters
Farmer Giles of Ham ranks in the top 4% of literary_work entities by monthly Wikipedia readership (253 views/month).[2] It has Wikipedia articles in 18 language editions, a strong signal of global cultural recognition.[19] It is known by 7 alternative names across languages and contexts.[20]