Exposition, Societal Responsitivity and the Aesthetics of Impermanence: Temporal Findings from the 1970 World Exhibition
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Exposition, Societal Responsitivity and the Aesthetics of Impermanence: Temporal Findings from the 1970 World Exhibition
Summary
Exposition, Societal Responsitivity and the Aesthetics of Impermanence: Temporal Findings from the 1970 World Exhibition is a master's thesis[1].
Key Facts
- Exposition, Societal Responsitivity and the Aesthetics of Impermanence: Temporal Findings from the 1970 World Exhibition authored Temporal Findings from the 1970 World Exhibition — author (P50): Tane Jachob Moleta[2].
- Exposition, Societal Responsitivity and the Aesthetics of Impermanence: Temporal Findings from the 1970 World Exhibition's instance of is recorded as Temporal Findings from the 1970 World Exhibition — instance of (P31): master's thesis[3].
- Exposition, Societal Responsitivity and the Aesthetics of Impermanence: Temporal Findings from the 1970 World Exhibition's publisher is recorded as Temporal Findings from the 1970 World Exhibition — publisher (P123): Open Access Repository Victoria University of Wellington[4].
- Exposition, Societal Responsitivity and the Aesthetics of Impermanence: Temporal Findings from the 1970 World Exhibition's DOI is recorded as 10.26686/WGTN.17011523[5].
- Exposition, Societal Responsitivity and the Aesthetics of Impermanence: Temporal Findings from the 1970 World Exhibition's language of work or name is recorded as Temporal Findings from the 1970 World Exhibition — language of work or name (P407): English[6].
- Exposition, Societal Responsitivity and the Aesthetics of Impermanence: Temporal Findings from the 1970 World Exhibition's country of origin is recorded as Temporal Findings from the 1970 World Exhibition — country of origin (P495): New Zealand[7].
- Exposition, Societal Responsitivity and the Aesthetics of Impermanence: Temporal Findings from the 1970 World Exhibition's publication date is recorded as +2010-01-01T00:00:00Z[8].
- Exposition, Societal Responsitivity and the Aesthetics of Impermanence: Temporal Findings from the 1970 World Exhibition's title is recorded as Exposition, Societal Responsitivity and the Aesthetics of Impermanence: Temporal Findings from the 1970 World Exhibition[9].
- Exposition, Societal Responsitivity and the Aesthetics of Impermanence: Temporal Findings from the 1970 World Exhibition's copyright holder is recorded as Temporal Findings from the 1970 World Exhibition — copyright holder (P3931): Tane Jachob Moleta[10].
- Exposition, Societal Responsitivity and the Aesthetics of Impermanence: Temporal Findings from the 1970 World Exhibition's thesis submitted to is recorded as Temporal Findings from the 1970 World Exhibition — thesis submitted to (P4101): Victoria University of Wellington[11].
- Exposition, Societal Responsitivity and the Aesthetics of Impermanence: Temporal Findings from the 1970 World Exhibition's on focus list of Wikimedia project is recorded as Temporal Findings from the 1970 World Exhibition — on focus list of Wikimedia project (P5008): NZThesisProject[12].
- Exposition, Societal Responsitivity and the Aesthetics of Impermanence: Temporal Findings from the 1970 World Exhibition's copyright status is recorded as Temporal Findings from the 1970 World Exhibition — copyright status (P6216): copyrighted[13].
- Exposition, Societal Responsitivity and the Aesthetics of Impermanence: Temporal Findings from the 1970 World Exhibition's thesis committee member is recorded as Temporal Findings from the 1970 World Exhibition — thesis committee member (P9161): Christine McCarthy[14].
Body
Designation and Status
Exposition, Societal Responsitivity and the Aesthetics of Impermanence: Temporal Findings from the 1970 World Exhibition's instance of is recorded as Temporal Findings from the 1970 World Exhibition — instance of (P31): master's thesis[3].